Exhibition catalogue published in conjunction with show held at Los Angeles County Museum of Art, Los Angeles, December 19, 1972 - February 18, 1973. Traveled to Whitney Museum of American Art, March 29 - May 13, 1973 ; Kunsthalle Bern ; Stadtische Kunsthalle, Düsseldorf ; Van Abbemuseum Eindhoven ; Palazzo Reale, Milan ; Contemporary Arts Museum, Houston ; San Francisco Museum of Art. ... [details]
Special issue of Art in American with Andy Warhol self-portrait covers and four primary articles on Warhol. Mary Josephson: "Warhol: The Medium as Cultural Artifact"; Carolyn Betsch: "A Catalogue Raisonné of Warhol's Gestures"; David Bourdon: "Warhol as Filmmaker"; Joseph Masheck: "Warhol as Illustrator. ... [details]
Exhibition catalogue published in conjunction with show held at Hayward Gallery, London, September 30 - November 7, 1971. Curated and with an essay by Maurice Tuchman and Jane Livingston. Artists include John Altoon, Larry Bell, Richard Diebenkorn, Newton Harrison, Maxwell Hendler, Robert Irwin, John McLaughlin, Bruce Nauman, Kenneth Price, Edward Ruscha, and William Wegman Includes exhibition checklist, a bibliography compiled by Gail R. ... [details]
Large-scale exhibition announcement / brochure published in conjunction with show held May 11 - July 4, 1971. Text by associate curator Jane Livingstone and senior curator Maurice Tuchman. Artists include John Alberty, Michael Asher, James Bradley, Vija Celmins, Ron Cooper, Mary Corse, Robert Cumming, David Deutsch, Guy Dill, Laddie John Dill, Frederick John Eversley, Jack Goldstein, Scott Grieger, Patrick Hogan, Richard Jackson, Peter Lodato, Alan McCollum, Barbara Munger, Peter Plagens, Joe Ray, Allen Ruppersberg, Wolfgang Stoerchle, John White, and William Wegman. ... [details]
A mammoth book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self critical of the failures [and limited success] of the program. ... [details]
A mammoth book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. Amazingly self critical of the failures [and limited success] of the program. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part III," by Albert Elsen; Billy Al Bengston Retrospective in Los Angeles," by James Monte; "New Deal Murals in New York," by Francis V. ... [details]
