"We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. ... [details]
Exhibition catalogue published in conjunction with show held February 3 - April 28, 2002. Texts by Lionel Bovier, Fabrice Stroun, Helene Winer, Laurie Anderson, Morgan Fisher, Douglas Crimp, David Salle, Thomas Lawson, Carter Ratcliff, Michael Newman, John Hutton, Craig Owens, Therese Lichtenstein, Jean Fisher, Chris Dercon, Hal Foster, Jak Bankowsky, Rosetta Brooks, Philip Pocock, Bruce Grenville, and Goldstein. ... [details]
Exhibition catalogue published in conjunction with show held at the Princeton University Art Museum, Princeton, New Jersey, October 16, 2004 - January 9, 2005. Traveled to the Musée d'Art Américain, Giverny, France, April 1 - July 3, 2005; and to the High Museum of Art, Atlanta, Georgia, April 1 - June 25, 2006. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
A survey of contemporary architecture published in 1982. "Anyone interested in sorting out the diversities and complexities of contemporary architecture - and in speculating on the future shape of contemporary architecture - and in speculating on the future shape of our homes and cities - will enjoy this spirited, up-to-the-minute book. ... [details]
Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Art in Relation to Architecture/Architecture in Relation to Art," by Dan Graham; "Semiology, Sensuousness and Ian Wallace," by Eric Cameron; "The Big Show: The First Exhibition of the Society of Independent Artists, Part I," by Francis Naumann; "Mentalism Versus Painting," by Ross Neher; "Natural Structures: Michael Singer's Sculpture and Drawings," by Margaret Sheffield; "Another Look at Edvard Munch," by Deborah Perlberg; "Painting = Colored Space," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Situation Esthetics: Impermanent Art and the Seventies Audience"; "John Gutmann: A Transported Vision," by Carol Squiers; "Beuys: The Twilight of the Idol," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Energism: An Attitude," by Ronny H. Cohen; "Picasso: The Surrealist Realist, Excerpts from a Coversation between Roland Penrose and Dominique Bozo"; "Passive Action/Active Passion," by Conrad Atkinson; "Independent Video: The First Fifteen Years," by Barbara London; "A Chronology of Video Activity in the United States: 1965-1980," by Barbara London with Lorraine Zippay; "Random Access Information," by Nam June Paik; "Breaking the Silence: The Spectator as Speaker," by Kenneth Baker; "St. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]