Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. ... [details]
Issue edited by Ingrid Sischy. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. ... [details]
Issue edited by Ingrid Sischy. Essays "Rebecca Horn: Dancing on the Egg," by Germano Celant; "Modern Art from a Japanese Viewpoint," by Shigeo Chiba; "Modern-Postism," by Glenn O'Brien; "Stubborn Ideas and LeWitty Walls," by Lisa Liebmann; "Jim Starrett, Pacifist Painter," by Donald Kuspit; "A Project by Dorothea Rockburne"; "Robert Wilson: It's About Time," by Franco Quadri; "Gone With the Wind," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. ... [details]
