Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave: Maria Nadotti on Film"; "Here, There & Otherwise," John Welchman on Elsewhere; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Special Effects," by Carol Squiers on the News and Its Pictures; "William Eggleston: Democracy & Chaos," by Mark Holborn; "Seductive Lures: Shirazeh Houshiary," by Pier Luigi Tazzi; "The Ground Has Been Covered," by Jimmie Durham and Jean Fisher; "Hinged Victories," by Patricia C. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]
Issue edited by Ida Panicelli. Essays "Media Kids: Roselee Goldberg on 'Seasame Street,'" by Roselee Goldberg; "Special Effects: Carol Squiers on the Future of a Delusion," by Carol Squiers; "Expertease: Rosalyn Deutsche on Men in Space," by Rosalyn Deutsche; "Museum Piece: Francesco Dalco on Giulio Romano," by Francesco Dalco; "Undertone: Scott Gutterman on the Jazz Hero," by Scott Gutterman; "Exits and Entrances: Maria Nadotti on Robert Wilson's 'Orlando,'" by Maria Nadotti; "Language and Landscape: An Ontology for the Western," by Jane Tompkins; "To Marat: A Project for Artforum," by Rui Sanches; "Kiki Smith: Body and Soul," by Christopher Lyon; "Gerry Bergstein: A Self-Confessed Couch Potato," by Francine A. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]
Issue edited by Ida Panicelli. Essays "Curies Children: Vilém Flusser on Popes," by Vilém Flusser; "Special Effects: Carol Squiers on Truth Value," by Carol Squiers; "Commedia Dell'A: Homoeroticism Blues, A Project for Artfourm," by Howard Cruse; "Like Art: Glenn O'Brien on Luxury," by Glenn O'Brien; "Ground Up: Herbert Muschamp on California Archictecture," by Herbert Muschamp; "Critical Fictions: Clive Phillpot on Changing of the Garde," by Clive Phillpot; "Slant: David Frankel on a Czechered History," by David Frankel; "A Drawing Page: Untitled: A Project for Artforum," by Jim Dine; "Seeing the Scene: With 'Baptism of Solitude,' A Project for Artforum," by Karl Johnson; "Temptation," by Kenneth Baker; "Oil and Water: With 'Oil Rooms,' a project for Artforum," by Per Barclay; "The Obligatory Bed Piece: Jessica Stockholder," by Jack Bankowsky; "Critical Reflections," by Kay Larson; "A Theory of Everything: Meditations on Total Chaos," by Vivian Sobchack; "Hujar," by Max Kozloff. ... [details]
Issue edited by Ida Panicelli. Essays "Undertone: Terri Sutton on Music Vids," by Terri Sutton; "Believe it or Not: J. Hoberman on Gangster Flicks," by J. Hoberman; "The Cave: Marco Giusti on Martin Scorsese's Betrayals," by Marco Giusti; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Democracy, Inc. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: David Sternbach on Blue Planet, Green Dollars," by David Sternbach; "Commedia Dell'Arte: A Project for Artforum," by Mark Alan Stamaty; "Slant: Thomas Crow on Being 'Economical with the Truth,'" by Thomas Crow; "Democracy, Inc. ... [details]
