Issue edited by John Coplans. Essays "'Aligned with Nazca," by Robert Morris; "Landscape Permuted: From Painting to Photography," by Barbara Novak; "A Portfolio of Western Landscape Photographs," photographs by C. ... [details]
Issue edited by John Coplans. Essays "'Such Good Intentions': Architecture for the Arts at Purchase," by Suzanne Stephens; "Problems from Early Kupka," by Bruce Boice; "European Painting in LA: A Grab Bag of Well-worn Issues," by Peter Plagens; "Alex Katz's Development," by Lawrence Alloway; "Super Realism: A Critical Anthology, Book Review," by Phil Patton; "Milestones, Film Review," by Steven Simmons. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Joseph Beuys," by Willoughby Sharp; "A Dan Flavin Retrospective in Ottawa," by Jack Burnham; "An Interview with Richard Van Buren," by Phyllis Tuchman; "Problems of Criticism VII: To Save Painting," by Justin Schorr; "Modern American Art at the Metropolitan Museum," by Philip Leider. ... [details]
Issue edited by Philip Leider. Essays "Dennis Oppenheim," by Jean-Louis Bourgeois; "Keith Sonnier," by Robert Pincus-Witten; "Thomas Cole," by Alan Wallach; "The Possibilities of Drawing," by Peter Plagens; "The Last Work of Kurt Schwitters," by John Elderfield; "El Lissitzky's 'Prouns', Part I," by Alan C. ... [details]
Issue edited by Philip Leider. Essays "PheNAUMANology," by Marcia Tucker; "An Interview with Larry Poons," by Phyllis Tuchman; "Architecture as a Weapon: Hitler's Speer," by Bernhard Leitner; "Thomas Eakins and the Power of Seeing," by Patrick McCaughey; "Meditating at Fort Prank," by Emily Wasserman; "Art Deco," by Robert Pincus-Witten; "A New Wing at the Museum of the American Indian," by M. ... [details]
Issue edited by Philip Leider. Essays "Roy Lichtenstein at the Guggenheim," by Max Kozloff; "Place and Process," by Willoughby Sharp; "The origins of Ray Gun, " by Barbara Rose; "The Partial Figure," by Albert Elsen; "557,087: Seattle," by Peter Plagens; "El Lissitzky's 'Prouns', Part II," by Alan C. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by John Coplans. Essays "The Instrumental Image: Steichen at War," by Allan Sekula; Television: Video's Frightful Parent, Part I, by David Antin; "Neutralizing 'The Age of Revolution," by Carol Duncan; "Art of the Third Reich: Documents of Oppresion," by Manuela Hoelterhoff; "Images of the Chinese People," by Peter Walch. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
