Issue edited by Joseph Masheck. Essays "'Martin Puryear's Sculpture," by Jonathan Crary; "Monument - Sculpture - Earthwork," by Nancy Foote; "Cosmetic Transcendentalism: Surface-Light in John Torreano, Rodney Ripps and Lynda Benglis," by Donald B. ... [details]
Exhibition catalogue published in conjunction with show held at Witte de With, Center for Contemporary Art, Rotterdam, June 3 - October 8, 1995. Traveled to Neue Nationalgalerie, Berlin, December 7, 1995 - February 18, 1996 ; Fundaciò Antoni Tápies, Barcelona, March 14 - May 19, 1996 ; Kunsthalle Zürich/Museum für Gegenwartskunst, Zürich, July 6 - September 15, 1996 ; MAC, Galeries Contemporaines des Musées de Marseille, Marseille, January 15 - May 11, 1997. ... [details]
Issue edited by Bice Curiger. Essays "Imi Knoebel: The Surveyal Of Sensation," by Max Wechsler; "Friendship Is Unstable Equilibrium," by Patrick Frey; "Fischli/Weiss In Appearance," by Germano Celant; "The Path Of Most Resistance," by Karen Marta; "Peter Fischli And David Weiss," by Bernhard Johannes Blume; "The Critic As Four-Eyed Peg Leg," by Jeanne Silverthorne; "(Dis)ordered Artifact In The Art Of Fischli/Weiss," by Sidra Stich; "Matt Mullican," by Paul Groot; "Real Abstract Theater: The Wooster Group," by Kathy Halbreich; "Les Infos Du Paradis: The Australian Biennale 1988," by Dan Cameron; "Varia," by unattributed artists; "Cumulus From America," by Ronald Jones; "Cumulus Aus Europa," by Reiner Speck; "Balkon: Down The Airshaft," by Richard Flood. ... [details]
Issue edited by Bice Curiger. Essays "The Case Of Robert Gober," by Lisa Liebmann; "An Olympic High-Flyer," by John Russel; "Alex Katz's 'Kool' Portraits," by Brooks Adams; "The Simple Truth Of Everyday Painting," by David Rimanelli; "A Discussion," by Alex Katz / Francesco Clemente; "Four Seasons On Japanese Paper," by Michael Krüger; "Go Fetch The New Yorker," by Richard Flood; "Ada, Katz' Picture Woman," by Patrick Frey; "Night II 1987," by Carl Stigliano; "A Brushstroke Is The Most Artificial Thing In The World," by Bice Cruiger; "Cow, Cow, Cow," by Glenn O'Brien; "Homage To Giulio Roman," by Jacqueline Burckhardt; "Les Infos Du Paradis: Survival Research, Laboratories," by Mike Kelley; "Cumulus From America," by David Deitcher; "Cumulus Aus Europa," by Friedmann Malsch; "Balkon," by Rene Ricard. ... [details]
Issue edited by Ingrid Sischy. Essays "The Perils of Hindsight," by John Bernard Myers; "Gust, Gusto, Guston," by Carrie Rickey; "From the Series 'Outside the White House,'" by Rosalind Solomon; "Terry Allen (On Everything)," by Marcia Tucker; "Sex and Death and Shock and Schlock: A Long Review of The Times Square Show," by Anne Ominous; "Autochromes: The Bouquet of Lighted Air," by Max Kozloff; "Civil War: Artist Contra Critic," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "A Chameleon in a State of Grace: Francesco Clemente," by Edit deAk; "American Abstract Sensationalism," by J. Hoberman; "STRIKE," a project by Jonathan Borofsky; "The Works and Writings of Daniel Buren: An Introduction to the Philosophy of Contemporary Art," by Jean-François Lyotard; "Smithson's Site/Non-Site: New York City Walk," by Amy Baker; "Scandal's Witnesses: Grafting Smithson on Bataille," by Nicolas Calas; "Books," by Parker Hodges, Joseph Masheck, Artforum; "Reviews by J. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
