Large-scale examination of the conceptual art network in it's years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Two volume exhibition catalogue published in conjunction with show held at The Jewish Museum, New York, November 19, 1969 - January 4, 1970. Traveled to Milwaukee Art Center, Wisconsin, January 30 - March 8, 1970 ; and San Francisco Museum of Art, California, April 24 - May 24, 1970. ... [details]
Second edition of the exhibition catalogue originally published in conjunction with a show of artists' books held at Nigel Greenwood Inc. Ltd., London, September 20 - October 14, 1972. Extensive essay by Celant. ... [details]
Exhibition catalogue published in conjunction with show held at the Winnipeg Art Gallery, May 2 - June 14, 1981. Traveled to National Gallery of Canada, Ottawa, October 1 - November 1, 1981 ; Norman MacKenzie Art Gallery, Saskatchewan, November 10 - December 13, 1981 ; Musée d'Art Contemporain, Montreal, January 8 - February 28, 1982 ; Dalhousie Art Gallery, Halifax, March 11 - April 18, 1982 ; Emily Carr College of Art, Vancouver, October 4 - October 30, 1982. ... [details]
February 1970 issue of Art-Language edited by Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, and American editor Joseph Kosuth. Essays "Introductory note by the American Editor," by Joseph Kosuth; "Untitled," by David Bainbridge; "Three from May 23rd, 1969," by Frederic Barthelme; "Notes on Marat," by Stephen McKenna; "Plans and Procedures," by Michael Baldwin; "Dialogue," by Ian Burn; "Moto-Spiritale," by Robert Brown-David Hirons; "From an Art & Language Point of View," by Terry Atkinson; "Concerning Interpretations of the Bainbridge/Hurrell Models," by Terry Atkinson; "Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models,'" by Harold Hurrell; "Sculptures and Devices," by Harold Hurrell; "Conceptual Art: Category & Action," by Michael Thompson; "Notes on Genealogies," by Mel Ramsden. [details]
Large-scale exhibition catalogue for show held at the Galerie 1900 - 2000 and the Galerie de Poche, Paris, France, October 8 - November 3, 1990. Text by Christian Schlatter. Includes writing by Mel Ramsden, Joseph Kosuth, Charles Harrison, Robert C. ... [details]
Large-scale collection of essays edited by Alexander Alberro, Blake Stimson. Includes texts by Alberro, Stimson, Eduardo Costa, Raúl Escari, Roberto Jacoby, Christine Kozlov, Hélio Oiticica, Sol LeWitt, Sigmund Bode, Mel Bochner, Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Michel Claura, Michael Baldwin, Adrian Piper, Lucy R. ... [details]
One of the most important publication of the 1970s conceptualism edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Only three issues published between 1975 and 1976. ... [details]
Issue edited by Ingrid Sischy. Essays "Energism: An Attitude," by Ronny H. Cohen; "Picasso: The Surrealist Realist, Excerpts from a Coversation between Roland Penrose and Dominique Bozo"; "Passive Action/Active Passion," by Conrad Atkinson; "Independent Video: The First Fifteen Years," by Barbara London; "A Chronology of Video Activity in the United States: 1965-1980," by Barbara London with Lorraine Zippay; "Random Access Information," by Nam June Paik; "Breaking the Silence: The Spectator as Speaker," by Kenneth Baker; "St. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]