Issue edited by Philip Leider. Essays "Surprise, Invention in the Sculpture of Picasso," by Albert Elsen; "Thek's Tomb," by Robert Pincus-Witten; "Jasper Johns: Colors, Maps, Devices," by Max Kozloff; "Robert Hudson," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "Two Contributions to the Art and Science Muddle: 1. Constructivism and its Confusions," by Terry Fenton; "2. A Report on a Symposium," by Grace Marmor Spruch; "Late Fifties at the Ferus," by Billy Al Bengston; "Charles Sheeler, American Pastoral," by Hilton Kramer; "Edward Avedisian's New Paintings," by Alexandra C. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]
Issue edited by Philip Leider. Essays "Thomas Couture and the Theatricalization of Action in 19th Century Painting," by Michael Fried; "Fining it Down: Don Judd at Castelli," by Robert Pincus-Witten; "Ronald Bladen and Robert Murray in Vancouver," by Dennis Wheeler; "An Interview with Carl Andre," by Phyllis Tuchman; "Three Notes on an Exhibition as a Work," by Annette Michelson; "A Memoir of Zadkine," by Sidney Geist; "Geometric Abstract Painting and Paris in the Thirties, Part II," by John Elderfield; "19th Century American Art at the Met: 1. ... [details]
Issue edited by Philip Leider. Essays "Eva Hesse: Post-Minimalism into Sublime," by Robert Pincus-Witten; "Color and Area: New Paintings by Ellsworth Kelly," by John Elderfield; "Noland's New Paintings," by Walter D. ... [details]
Program for the First New York Theater Rally which featured five "Dance Concert" performances held May 11-13, 1965 at TV Studio in New York City. Presented by Steve Paxton and Alan Solomon, performances included: "Balloon" by Carolyn Brown, performed by Barbara Lloyd and Steve Paxton ; "Carnation" by Lucinda Childs, performed by Lucinda Childs ; "Room Service" by Yvonne Rainer, performed by Lucinda Childs, Marty Greenbaum, Lulu, Alex Hay, Tony Holder, Alfred Kurchin, Yvonne Rainer, Sally Gross, Carla Blank, Al Hansen, and Dick Robbins ; "Leadville" by Alex Hay, performed by Alex Hay ; "Spring Training" by Robert Rauschenberg, performed by Trisha Brown, Viola Farber, Deborah Hay Barbara Lloyd, Steve Paxton, Robert Rauschenberg, and Christopher Rauschenberg. [details]
Exhibition catalogue published in conjunction with shows held at Weatherspoon Art Museum, August 6 - October 15, 2006. Traveled to American University Museum at Katzen Arts Center, Washington, D.C., November 21, 2006 - January 21, 2007 and National Academy Museum, New York, February 13 - April 22, 2007. ... [details]