Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "Public Sculpture II: Provisions for the Paradise," by Kate Linker; "Personal Sensibilities in Public Places," by John Beardsley; "Alexandra Exter's Designs for the Theater," by Ronny H. ... [details]
Issue edited by Ingrid Sischy. Essays "'Du Hast Keine Chance. Nutze sie!' With It and Against It: Tendencies in Recent German Art," by Wolfgang Max Faust; "Architecture and Limits III. Introduction," by Bernard Tschumi; "Architecture and Limits III. ... [details]
Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Edited by Betsy Sussler. Essays "The Red Cloud," by Burt Barr; "The Children's Stories," by Jane Warrick; "Revolutionary Black Workers," by Felice Rosser; "Interview by Bradford Morrow," by Edouard Roditi; "The Birth Cave," by Susan Friedland; "Ferrements," by Aime Cesaire; "Sounds in the Distance," by David Wojnarowicz; "The Earth is a Sattelite of the Moon," by Philip Pocock and Leonel Rugama; "Portrait by Alf Young," by Taylor Meade; "In and Out," by Bob Perlongo; "Knife Story," by Paul Benney / Leslie Dick; "Skeleton," by Liz Cash / Jim Jarmusch; "Porcupines and Other Travesties," by Kiki Smith and Emily Listfield. ... [details]
Issue 6/7 of performance periodical "Live." Features a cover story interview with Glenn Branca by John Howell. Contributors include Dan Graham, Bonnie Maranca, John Howell, Michael Earley, Gautam Dasgupta, David Rieff, Barry Kahn, Patricia Jones, Lenora Champagne, Charles Frederick, Shelley Rice, Sally Randall, Ann Sargent-Wooster, Rony Whitfield, Steve Fritz, Robert Atkins, Robert Coe, Stuart Cosgrove, Helena Kontova, Martha Fleming, and Tobler Lugo. [details]
