September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "Diagnostic Malpractice: The Nazi's on Modern Art, Germany, 1937," by Donald Kuspit: "Rites of Exchange: Louise Lawler, from Place to Place and Hand to Hand, with a Project by the Artist," by Kate Linker; "Locus Lotus: Omnidimensional Archeologies, Project for Artforum," by Shoichi Ida; "In the Twentieth Century C. ... [details]
Issue edited by Ingrid Sischy. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. ... [details]
Issue edited by Ingrid Sischy. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Balancing Bigger and Smaller, Alberto Burri's Studio," by Ida Panicelli; "Modern Life: Close Encounters with Unidentified Flying Zeitgeists," by Carter Ratcliff; "Turned Out: Biology 101 invades Art History 407. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Milton Resnick, New York City," by Milton Resnick; "Turned Out: Christo in Paris, The Bridge Wore Beige," by John Howell; "Speaker to Speaker: Heart from the Heartland," by Greil Marcus; "Modern Life: AIDS, A Buried Allegory," by Carter Ratcliff; "Ground Up: Parabuilding - The Postmodern Tick on the Modern Elephant," by Herbert Muschamp; "Like Art: The Model Critic, A New Face in the Empire of Signs," by Glenn O'Brien; "Remote Control: Waiting for Gloria," by Barbara Kruger; "Books: Sarah Bodine on 'Moholy-Nagy;' Mark Francis on 'Ian Hamilton Finlay: A Visual Primer;' Charles Hagen on 'The Indelible Image: Photographs of War - 1846 to the Present;' Mark Holborn on 'Tokyo 1970 - 1985;' Donald Kuspit on 'The Sense of Sight;' Greil Marcus on 'Dada/Dimensions;' 'Herbert Muschamp on 'Ballet' and 'Balanchine's Tchaikovsky: Interviews with George Balanchine;' Carter Ratcliff on 'Painters and Public Life in Eighteenth-Century Paris;' Barry Schwabsky on 'Jim Dine Drawings;' Frederic Tuten on 'History of the Universe;'" "Hysterical Painting: Civilization and Francis Bacon's Exhibition of its Discontents," by Donald Kuspit; "A Project for Artforum: Written Leaf," by Mario Merz; "Cultivated Canvases: Richard Diebenkorn's Uneasy Grace," by Susan C. ... [details]
Issue edited by Ingrid Sischy. "On Location. A Studio Made en Plein Air: James Nares Reaps the Wind in Golden Green," by Ingrid Sischy; "Marginalia: The Original Sin," by Thomas McEvilley; "Like Art: Docu-Ads, Marketing Realism in 30-second Spots," by Glenn O'Brien; "Turned Out," by William Wilson; "Modern Life. ... [details]
Issue edited by Ingrid Sischy. Essays "On Location: Sculpture and Painting in Emilio Vedova's Studio in Venice," by Germano Celant; "Ground Up: Architecture without Architecture Critics: Ideal for the Architects," by Herbert Muschamp; "Turned Out: Richard Avedon, Sam Shepard, Joan Didion, and the Pull of the American West," by William Wilson; "Modern Life: Utopianism become Survialism - the Quantum Mechanics of Body-Building, in the West and in the East," by Carter Ratcliff; "Like Art: The New Ads and their Gift of Art. ... [details]
Issue edited by Ingrid Sischy. Books: Alexandra Anderson on "Earthworks and Beyond"; Maurice Berger on "Ficciones, The Painting of Modern Life" and "The Real World of the Impressionists"; Greil Marcus on "Correspondence Art, Forbidden Dreams, James Dean, The Rap Attack, and Return Engagement"; David Salle on "Gemini G. ... [details]
Fall 1984 issue of Journal, edited by Lane Relyea. Contents include: "Judy Fiskin's Photographs," by Richard Armstrong; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Crepe de Chine," by Kim MacConnel; "Paragraphs Toward an Essay Entitled 'Restoration Comedies,'" by Howard Singerman; "A New-Found Career," by Martha Rosler; "Images That Understand Us: A Conversation with David Salle and James Welling;" "The Poltergeist," by David Askevold and Mike Kelley; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]