Issue edited by Ingrid Sischy. Essays "Animarum Venator (Hunter of Souls): An Interpretation of Arcimboldo," by Massimo Cacciari; "'I Like the Free World.' Arcadian Settlements on the Edge of the Unknown from the 1600s to the Present: Part II of a Series on Different Styles of Vision," by Carter Ratcliff; "Louis Sullivan's Clay Gardens: Pod-Modernism," by Colin Westerbeck; "Harlequinade for an Empty Room: On David Salle, Classical Steps Toward the Year 2000," by Lisa Liebmann; "Jannis Kounellis and the Reenchantment of Contradiction: Diverting Fact to Possibility," by Kenneth Baker; "Who Told Thee That Thous Was't Naked: The Immaculate Commission in the Emperor's New Clothes," by Thomas McEvilley; "Museum Piece: Los Angeles' Recent Acquisitions," by Joseph Giovannini; "Icons at Large: Knowing Who Your Friends Are," by Lisa Liebmann; "Like Art: Birthday Suits for Different Parties," by Glenn O'Brien; "Speaker to Speaker: Listening to the Words," by Greil Marcus; "Books: A Review of Art Spiegelman's Maus: A Survivor's Tale," by Richard Gehr; "A Canvas of Episodes: On the Wings of Love, Rex Finds Out What Give-and-take is All About," by Frederic Tuten. ... [details]
Issue edited by Ingrid Sischy. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. ... [details]
Issue edited by Ingrid Sischy. Essays "Museum Piece: On the Job," by Jan Hoet; "Ground Up: Dresser and Bureaus of Internal Affairs," by Herbert Muschamp; "Like Art: H-h-h-heads and Tails," by Glenn O'Brien; "Speaker to Speaker: S--f-censorship," by Greil Marcus; "What in the World: Missing Sign Language," by Andrew Solomon; "Production Values: Tinkering with Toys," by Dan Cameron; "On Location: At Noriyuki Haraguchi's Studio on Tokyo Bay," by Kazue Kobata; "Customs: A Roman Correspondent Observes a New York Instituition," by Ida Panicelli; "A Canvas of Episodes: Mazel Tov," by Frederic Tuten; "The Dictatorship of Clement Greenberg: A Critic Looks at a Critic," by Kay Larson; "The Adventure of the Third Essay: In Which We Lose Our Bearings and Gain Our Freedom. ... [details]
Issue edited by Ingrid Sischy. Essays "Not Utopia: Jan Vercruysse: The Present Unclosed," by Pier Luigi Tazzi; "Three's a Company: James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala Talk Talkies," by Anthony Korner; "Baptism: A Project for Artforum," by Jeff Koons; "Renovating the New: The Art of Lucio Fontana," by Jole de Sanna; "Black and White Light: Getting Home in Charcoal and Pastel," by John Yau; "Artist Envy: The Art of Interpretation and its Interpretation of the Artist," by Donald Kuspit; "A Song to the Avant-Garde: 'Tadeusz Kantor and the Duck, Robert Wilson Riding Hood, Un Mélange de Styles,' and Six More Plays by Kenneth Koch Here Staged on the Page in a Project for Artforum by Larry Rivers"; Book Preview: The sounds of Silents. ... [details]
Issue edited by Ida Panicelli. Essays "Object," Alessandro Mendini on Design; "Like Art," Glenn O'Brien on Advertising; "Ground Up," Herbert Muschamp on Architecture; "Here, There & Otherwise," John Welchman on Elsewhere; "Curies' Children," Vilem Flusser on Discovery; "Between the Lines," Dan Cameron on Criticism; "Books," Melissa Harris on Dance and Photography; "Working Watteau," by Mike Glier; "Body Building," by Mario Pisani; "Vanishing Act: Philippe Thomas," by Claudia Hart; "Borrowed Shoes," Suzanne Bloom and Ed Hill; "Diffusions: A Project for Artforum," by Susan Rothenberg; "The History of X," by Mary Josephson; "Under the Singing Eucalyptus Tree. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave: Maria Nadotti on Film"; "Here, There & Otherwise," John Welchman on Elsewhere; "Object," Alessandro Mendini on Design; "Remote Control," Barbara Kruger on Television; "Curies' Children," Vilém Flusser on Discovery; "Special Effects," by Carol Squiers on the News and Its Pictures; "William Eggleston: Democracy & Chaos," by Mark Holborn; "Seductive Lures: Shirazeh Houshiary," by Pier Luigi Tazzi; "The Ground Has Been Covered," by Jimmie Durham and Jean Fisher; "Hinged Victories," by Patricia C. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art," Glenn O'Brien on Advertising; "The Cave," Vera Dika on Film; "Exits and Entrance," Melissa Harris on Dancing in the Streets; "Special Effects," Carol Squiers on the News and Its Pictures; "Here There & Otherwise," John Welchman on Elsewhere; "Books," Max Wechsler on Sigmar Polke - Zeichnungen 1963 - 1969; "In Living Chaos: Joan Mitchell," by Bill Berkson; "Koudelka's Theater of Exile," by Max Kozloff; "Signs of the Cross," by Claudia Hart; "Fautrier: Through Paint, Alone," by Siegfried Gohr; "What Becomes of the Brokenhearted," by Maria Nadotti; "Venezia 23: Unter den Linden," by Alessandra Mammi; "The Four-Corners Game," by Daniel Soutif; "Said the Spider to the Fly," by Luciana Rogozinsky; "Dear Harry. ... [details]
Issue edited by Ida Panicelli. Essays "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "The Cave: Maria Nadotti on Film," by Maria Nadotti; "Object: Alessandro Mendini on Design," by Alessandro Mendini; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Museum Piece: Karen Marta on Malcolm McLaren," by Karen Marta; "Something to Do with Jennifer Bolande," by Paula Marincola; "You Are a Camera," by Roselee Goldberg; "Sorry: A Project for Artforum," by Guillaume Bijl; "Ritual Ecstasies: Lars Nilsson," by Lars Nittve; "Not Vital's Relics of the Present," by Donald Kuspit; "Foul Perfection: Thoughts on Caricature," by Mike Kelley; "We Androids," by Doreet Levitte Harten; "Tear Sheet: A Project for Artforum," by Tear Sheet. ... [details]
Issue edited by Ida Panicelli. Essays "Appetizer: Book Preview of 'Venus in Furs,'" by Leopold von Sacher-Masoch; "Curies Children: Vilem Flusser on Discovery," by Vilem Flusser; "Special Effects: Carol Squiers on the News and its Pictures," by Carol Squiers; "Like Art: Glenn O'Brien on Advertising," by Glenn O'Brien; "Here There & Otherwise: John Welchman on Elsewhere," by John Welchman; "Folio: Barbara Moore on Artists' Publications," by Barbara Moore; "Books: Daniel Soutif on L'Art Africain," by Daniel Soutif; "Dona Nelson's Time Pieces," by Lisa Liebmann; "The Closed Book : A Project for Artforum," by Michelangelo Pistoletto, photography by Ari Marcopoulos; "Franz West: The Antibody to Anti-Body," by Helmut Draxler; "Houses by Thomas Ruff"; "Through a Glass Darkly," by John Perreault; "Karen Finley's Poisoned Meatloaf," by Maria Nadotti; "Domestic Science," by Charles V. ... [details]
Issue edited by Ida Panicelli. Essays "Believe it or Not: J. Hoberman on American Myths," by J. Hoberman; "At the Limits: Homi K. Bhabha on the Power of the Text," by Homi K. Bhabha; "Folio: Buzz Spector on John Baldessari's Tristram Shandy," by Buzz Spector; "Special Effects: Carol Squiers on the News and Its Pictures," by Carol Squiers; "What in the World: Andrew Solomon on the Art of Perestroika Part II," by Andrew Solomon; "Expertease: Bell Hooks on Cultural Interrogations," by Bell Hooks; "Added Attractions," by Patricia C. ... [details]
