Issue edited by Joseph Masheck. Essays "False Objects: Duplicates, Replicas and Types," by John Perreault; "Elizabeth Murray's Dandyish Abstraction," by Donald B. Kuspit; "Chicago Dialectic," by C.L. Morrison; "To Be or To Act: On the Problem of Content in Nonobjective Art," by Andréi B. ... [details]
Issue edited by Joseph Masheck. Essays "Oskar Schlemmer's Performance Art," by RoseLee Goldberg; "Art Criticism: Where's the Depth?" by Donald B. Kuspit; "Richard Foreman's 'Book of Levers,'" by Peter Frank; "Gustave Courbet: All the World's a Studio," by Alex Seltzer; "Madness in the Arena," by Nicolas Calas; 'Eva Hesse,' Book Review," by Jeff Perrone; "A View of Kassel," by David Shapiro; "Alice Aycock: Mystery Under Construction," by Margaret Sheffield; "The Private and the Public: Feminist Art in California," by Martha Rosler. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by John Coplans. Essays "Franz Kline's Romantic Abstraction," by Harry F. Gaugh; "Robert Cumming's Eccentric Illusions," by Patricia G. Foschi; "Roberto Rossellini and Historical Neorealism," by Tag Gallagher; "Francis Bacon: The Authority of Flesh," by Donald Kuspit; "Rosemarie Castoro: Working Out," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Louise Bourgeois: From the Inside Out," by Lucy R. Lippard; "Billy Al Bengston's New Paintings," by Peter Plagens; "Lawrence Weiner: Given the Context," by Susan Heinemann; "Myron Stout," by Sanford Schwartz; "Notes on William Wegman," by Maud Lavin; "Manet: A Radicalized Female Imagery," by Eunice Lipton; "Alvin Smith," by Henri Ghent; "Indecent Exposure," by Peter Plagens; "Book Review," by Donald B. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]