Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "Lecture... ," by Roland Barthes and Leo Bersani; "The Forms of Violence," by Ulysse Dutoit; "Sculpture in the Expanded Field," by Rosalind Krauss; "[f]rom Americans on the Move," by Laurie Anderson; "Stuart Sherman: Object Ritual," by Bérénice Reynaud; "Pictures," by Douglas Crimp; "Seven Prolegomenae to a Brief Treatise on Magrittian Tropes," by Jean Clair; "About Snow," by Annette Michelson. [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "A Specter and Its Specter," by Annette Michelson; "Russian Diary 1927-28," by Alfred H. Barr, Jr.; "Gogol-Meyerhold's The Inspector-General," by A. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Fragments from the Rodin Museum," by Robert Morris; "Magnification and Other Writings on Film," by Jean Epstein; "Blue Poem for B. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Notes for a Film of Capital," by Sergei Eisenstein; "Reading Eisenstein Reading Capital," by Annette Michelson; "Film About a Woman Who. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]