Issue edited by Ingrid Sischy. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Issue edited by Ingrid Sischy. Essays "De Kooning," by Sidney Tillim; "Bob Colescott Ain't Just Misbehavin,'" by Lowery S. Sims; "Picasso's Late Work - Swan Song or Apotheosis? An Interview with Gert Schiff," by Ronnie Cohen; "My Dog Neo," by Thomas McEvilley; "Eric Fischl's Year of the Drowned Dog: Eight Characters in Search of an Autumn," by Lisa Liebmann; "William Eggleston's View of Graceland: The Absence of Elvis," by Greil Marcus; "Psychedelic Art: Flashing Back," by Glenn O'Brien; "Books: An Interview with Eiko Ishioka," by Ingrid Sischy; "Never Too Late," by Greil Marcus; "Forum," by Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "About Garry Winogrand," by Ben Lifson; "Astral America," by Jean Baudrillard; "Once Upon a Time in Amerika: Straub/Huillet/Kafka," by J. Hoberman; "De Chirico in America, 1935-37: His Metaphysics of Fashion," by Maurizio Fagiolo dell'Arco; "Signs: A Conversation with Luis Jimenez," by Amy Baker Sandback; "Waiting for Dr. ... [details]
Issue edited by Ingrid Sischy. Essays "Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art at the Museum of Modern Art in 1984," by Thomas McEvilley; "Sign on a Truck," by Jenny Holzer; "Campaign 1984," by Alison Gardner Pratt; "Terry Winters' Earthly Anecdotes," by Prudence Carlson; "Naming Pictures: Conversations between Lee Krasner and John Bernard Myers," by John Bernard Myers; "In the American Grain: Robert Helm," by James Ivory; "Tracking Some Angles: A Talk with Alain Resnais," by Frederic Tuten; "Poets and Art: John Ashbery, Tony Towle, Ann Lauterbach, and Barry Schwabsky interviewed by John Yau; with poems by Michael Brownstein, Ashbery, Towle, Lauterbach, Schwabsky, and Rene Ricard"; "Hilton Kramer: An Appreciation," by Thomas Lawson; "Books: Lionel Lambourne on 'The Collected Letters of William Morris,'" by Lionel Lambourne; "Forum: Philosophy and Art: Elective Affinities in and Arranged Marriage," by Donald Kuspit; "Bruce Springsteen: In Your Heart You Know He's Right," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Light," photographs by Joel Meyerowitz; "Light," watercolors by Agnes Martin; "A Light Opportunity," editorial by Edit deAk and Ingrid Sischy; "A Light Compass"; "Northern Lights," by Per Kirkeby and Komar and Melamid; "Eastern Lights, Western Lights," by Francesco Clemente, Eiko Ishioka, Gerhard Richter, Pat Place, and Linda Yablonsky; "Southern Lights," by Nicola De Maria and Peter Magubane; "Shadow Captions. ... [details]
Issue edited by Ingrid Sischy. Essays "Letters: On 'Doctor Lawyer Indian Chief: 'Primitivism' in 20th Century Art' at the Museum of Modern Art in 1984;'" "Jonathan Borofsky: What Kind of Fool Is This?," by Jeanne Silverthorne; "Paul Delvaux's Imagination," by Ronny Cohen; "Too Much and/or Not Enough: A Note on Howard Hodgkin," by Kenneth Baker; "Kids R Us or Viva Poland or Laudable Odds and Ends," by Barbara Kruger; "The Dead and the Quick," by Greil Marcus; "Many Farber and Landscape," by Kevin Parker; "From the Night of Consumerism to the Dawn of Simulation," by Rosetta Brooks; "Forum," by Jeanne Silverthorne. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]
