Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]
Revised version of the exhibition catalogue originally published in conjunction with show held at the Los Angeles County Museum of Art, July - August 1965. Foreword by Maurice Tuchman. Excerpted text by Lawrence Alloway, Robert Goldwater, Clement Greenberg, Harold Rosenberg, William Rubin, and Meyer Schapiro. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Exhibition catalogue published in conjunction with show held October 9, 1969 - February 8, 1970. Text by Henry Geldzahler, with additional contributions by Michael Fried, Clement Greenberg, Harold Rosenberg, Robert Rosenblum, and William Rubin. ... [details]
"For the first time it is possible for admirers of mdoern art to appreciate fully the magnificent achievement of the New York School by finding this major book over 300 paintings, sculptures, and drawings by fort-three artists working in the styles known as Abstract Expressionism, Color-Field Painting, pop Art, and Minimal Art. ... [details]
"In this new book, America's most interesting and controversial writer on art clarifies the mysteries and conflicts of contemporary painting, sculpture, Happenings, kinetics, etc., and illuminates their relevance for our time. ... [details]
An updated edition of this critical anthology of early writings on Minimal and Conceptual Art, originally published in 1968, with a new introduction by Anne M. Wagner. The original anthology was edited by Gregory Battcock, with early writings on Minimal and Conceptual Art. ... [details]
The Spring 1968 issue of Arts in Society specifically focuses on Happenings as a "boundary-breaking" and "intermedia" phenomenon. Includes contributions by Edward L. Kamarck, Dick Higgins, Allan Kaprow, Paul Epstein, James L. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art edited by Gregory Battcock. Essays "Systemic Painting," by Lawrence Alloway; "Sculpture as Architecture: New York Letter, 1966-67," by Michael Benedikt; "Serial Art, Systems, Solipsism," by Mel Bochner; "The Razed Sites of Carl Andre," by David Bourdon; "Subject Matter in the Work of Barnett Newman," by Nicolas Calas; "Art and Objecthood," by Michael Fried; "Questions to Stella and Judd," by Bruce Glaser; "Two Exhibitions," by E. ... [details]
Exceptionally important critical anthology of early writings on Minimal and Conceptual Art. Includes essays by Gregory Battcock (the volume's editor), Lawrence Alloway (Systemic Painting), Michael Benedikt (Sculpture as Architecture), Mel Bochner (Serial Art, Systems, Solipsism), David Bourdon (The Razed Sites of Carl Andre), Nicolas Calas (Subject Matter in the Work of Barnett Newman) , Michael Fried (Art and Objecthood), Bruce Glaser (Questions to Frank Stella and Donald Judd), E. ... [details]