Winter / Spring 1986 issue of the performance art periodical The Act. Edited by Jeffrey Greenberg, with written contributions by Greenberg, Jacques Chwat, William Pope.L, Allan Kaprow, Bruce Barber, Chris Kraus, Sylvere Lotringer, Bradley Eros, Aline Mare, Ellen Zweig, Henry Sayre, Gavin Searle, Penelope Wehrli, Toyo, R. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "De Stijl, Its Other Face: Abstraction and Capaphony, or What Was the Matter with Hegel?," by Annette Michelson; "The Judgement Seat of Photography," by Christopher Phillips; "The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic," by Linda Nochlin; "Alienating Alienation: Fredric Jameson's Revisionary Romance," by Perry Meisel; "When Words Fail," by Rosalind Krauss; "Documenta 7: A Dictionary of Received Ideas," by Benjamin H. ... [details]
"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Issue 6 of an 11 volume run of the periodical. Includes works by Dieter Roth,Marcello Angioni, Franco Beltrametti, Monika Binder, Marja Bloem, Buchdienst Fesch-Wien, Ernst Buchwalder, Daoi Guobjörnsson, Eggert Einarsson, Por Johannesson, Christoph Derschau, Manfred Eigendorf, Manfred Ferrari, Michael C. ... [details]
Exhibition catalogue published in conjunction with show held March 28 - April 25, 1974. Playwrights, writers, and other contributors mentioned include Paul Abraham, Eugen D'Albert, Maxwell Anderson, Max Alsberg, Otto Ernst Hesse, Laurence Stallings, Carl Zuckmayer, Leonid Andrejew, Fred A. ... [details]
Issue edited by Al Goldstein. Cover art by Joey Epstein. Essays "Screw You," by Al Goldstein; "A Cunt's Eye View of Porn," by Barbara Lawrence; "Venus in Steel : Vietnam : The New S & M Frontier," by D. ... [details]
Issue edited by John Wilcock. Essays "Nudity in New York," by Robert Wolf with photo of Christo by Shunk Kender; Yoko Ono & John Lennon full page advertisement; "The Girls in Search of Leonard Cohen," by Lita Eliscu; "White Panther Party," by John Sinclair; "How to Kill a Golden State," by William Bronson; "Life on the Howling Frontier," by Alex Apostolides; "Books : Up to the Minutes with Charles Henri Ford," by Gerard Malanga; "Where the Underground Isn't at," by Rich Mangelsdorff; "How Do Swingers Find Each Other?" by John Webster; "3rd Rail Cosmicomix," by Al Hansen; "Taboo," by Benedict Nightingale; "Fun in Bed," collage by Ruth Krauss; "Katy Kold's Advice to Secretaries," comic by Darylena Beads; "The Computer Racket," by Enlite with photos by John Wilcock; illustration by George Schneeman and Ted Berrigan; "The Mandala," by Clem Gorman. [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]