Exhibition catalogue published in conjunction with show held May 10 - June 29, 2007. Essay by Betsy Fahlman. Artists include Herbert Adams, Carl E. Akeley, John White Alexander, Thomas Anshutz, Karel Appel, Richmond Barthé, Frédéric-Auguste Bartholdi, Antonie-Louis Barye, George Bellows, Thomas Hart Benton, Albert Bierstadt, Oscar Bluemner, Norman Bluhm, Ernest Blumenschein, Jacob Boelen, Isidore Jules Bonheur, Solon H. ... [details]
Exhibition catalogue published in conjunction with show held October 12 - December 8, 2007. Essay by Joseph del Pesco. Artists include BGL, Conrad Bakker, Beth Campbell, Germaine Koh, Valerie Hegarty, Isola and Norzi, Chadwick Rantanen, Derek Sullivan and Anne Walsh. ... [details]
Exhibition catalogue published in conjunction with show held July - August 2007. Artists include Alcopley, Richard Anuszkiewicz, Herman Cherry, Howard Daum, Friedel Dzubas, Jim Forsberg, Angelo Ippolito, Marian Jacob, Emily Mason, Harry Nadler, Robert Natkin, Doug Ohlson, Alfonso Ossorio, Robert Richenburg, David Slivka, Nina Tryggvadottir, Steve Wheeler, Mary Abbott, Robert Beauchamp, Peter Busa, Charles Cajori, Alfred H. ... [details]
Edited by Tod Lippy. Essays "Doing Battle: A 13-year-old takes on the subject of war in a series of mesmerizing drawings," drawings by Alex Brown; "New Voices: "Methods of Rest" : Third in our series of fiction by emerging authors," fiction by Vivien Shotwell; "100 Frames: Apichatpong Weerasethakul's Tropical Malady: A sequence of stills from the Thai director's acclaimed 2004 feature film," introduction by Dennis Lim; "Modern Artifacts #1: "Charting Modernism" -a selection of Alfred H. ... [details]
Exhibition catalogue published in conjunction with show held March 16 - May 6, 2006. Contributions by Constance de Jong, Tania Cross, Colin Kim, Justin Matherly, Andrea Merkx, Hugh Walton, Christopher Howard, Rachel Liebowitz, Lauren O'Neill-Butler and Rotem Ruff. ... [details]
Exhibition catalogue published in conjunction with show held Spring 2006. Artists include Alexander Calder, Roy Lichtenstein, Jean Dubuffet, Salvador Dali, Lynn Chadwick, Joan Miro, Fernando Botero, Niki de Saint Phalle, Sophia Vari, Menashe Kadishman, Nancy Graves, Jim Dine, Claes Oldenburg, Bryan Hunt, Arnaldo Pomodoro, Antonio Asis, Louise Nevelson, Rogelio Polesello, Lika Mutal, George Rickey, Harry Bertoia, Mimmo Paladino, John van Alstine, Adam Straus, Kiki Smith, Boaz Vaadia, Nadin Ospina, Javier Marin, Susana Jaime-Mena, Keith Milow, Carol Brown, Silvio Merlino, Tom Otterness and Nicola Bolla. [details]
Exhibition catalogue published in conjunction with show held May 11 - June 18, 2006. Essays by Nancy Malloy and Annette Blaugrund. Artists include Anne Abrons, Eric Aho, Philip Allen, Gerald Auten, Donald Baechler, Lauren Bakoian, Hugo Xavier Bastidas, Margery Beaumont, Lynda Benglis, Kyle Bowen, Lynn Braswell, Riley Brewster, Petey Brown, Phong Bui, Tom Burckhardt, Kathy Butterly, Sam Cady, Jennifer Leigh Caine, David Campbell, Enrique Chagoya, John Chamberlain, Cassia Cogger, William Conlon, Terry Acebo Davis, Susanne Doremus, Geoffrey Dorfman, Charles S. ... [details]
Issue edited by Tim Griffin. Essays "Film: Best of 2005," by John Waters, Amy Taubin, James Quandt, Chrissie Iles, Isaac Julien; "Music: Best of 2005," by Dennis Cooper, Stephen Vitiello, Christoph Cox, Susie Ibarra, and Debra Singer; "Books: Best of 2005," by Yve-Alain Bois, Pamela M. ... [details]
Issue no. 2 of Yard Magazine published in October 2005. Artists include Roddy Bogawa, Ethan Ryman, Robert Ryman, Delia Brown, DJ Rob Swift, Greg Tate, Gary Simmons, Michael Alago, Robert Longo, and Glenn Branca. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]