"A transcription of a series of six symposia in music and visual art, event art, art and architecture, environmental art, publica works and conceptual art. The panelists included Edited and with a foreword by Marilyn Bedford and Jerry Herman. ... [details]
Exhibition catalogue published in conjunction with show held February 18 - March 20, 1977. Curated by Peg Weiss. Introduction by Dore Ashton. Text by Herbert George. Includes exhibition checklist. [details]
Exhibition catalogue published in conjunction with five shows held in New York Dec. 20, 1977 - Jan. 7, 1978 at Amos Eno Gallery, 14 Sculptors Gallery, Noho Gallery, Pleiades Gallery, and Ward-Nasse Gallery. ... [details]
Transcript of "Time and Space I," a symposium on concepts in music and visual art. Moderated by Dore Ashton, panelists included John Cage, Merce Cunningham, Richard Kostelanetz, and Nam June Paik. Edited by Marilyn Bedford and Jerry Herman. ... [details]
Volumes 1 and 2 transcribing a series of symposiums on Time and Space in Modern Art edited by Marilyn Bedford and Jerry Herman. "Time and Space I," was a symposium on concepts in music and visual art, and was moderated by Dore Ashton. ... [details]
Exhibition catalogue published in conjunction with show held at Mandeville Art Gallery University of California, San Diego, La Jolla, April 1 - 27, 1975. Traveled to Mills College Art Gallery, Oakland, September 13 - October 19, 1975. ... [details]
September 1974 issue of Studio International. Edited by Peter Townsend. Contents include: "Art Front," by Gerald M. Monroe; "The Hayward Biennale," Andrew Forge, Myles Murphy, Paul Huxley, John McEwen; "A Conversation with Henryk Stazewski," with Wieslaw Borowski; "Correspondence;" "The Origins of Modernism in England," by Charles Harrison; "Food as an Art Form," by Mary Douglas; "The mature portraitist: Richard Avedon," by Dore Ashton; "The Englishness of Caro," by Joseph Masheck; "Review. ... [details]
Exhibition catalogue and series of letters to young women artists published in conjunction with the Feminist Art Festival at the California Institute of the Arts, Valencia, 1974. Edited by Miriam Schapiro, Sherry Brody, Molly Rhodes, and Lelia Amalfitano. ... [details]
Documentary monograph on the work of John Cage. Edited by Richard Kostelanetz. General editor: Paul Cummings. Texts by John Cage, Richard Kostelanetz, Ellsworth J. Snyder, Richard Barnes, Pence James, Virgil Thomson, Henry Cowell, Al Hansen, Dore Ashton, Richard Teitelbaum, Edward Downes, Jill Johnston, Eric Salzman, Ninette Lyon, Michael Zwerin, Daniel Charles, and Barbara Rose. ... [details]
Critical anthology of pivotal texts edited by Gregory Battcock. Essays "Monuments for Nowhere or Anywhere," by Dore Ashton; " "Art in the Service of the Left?," by Battcock; "The Relevance of Ecology," by Jonathan Benthall; "The Fake as More," by Cheryl Bernstein; "Problems of Criticism," by Jack Burnham; "Art After Philosopy, I and II," by Joseph Kosuth; "The Art Workers' Coalition," by Lucy Lippard; "The Eruption of Anti-Art," by Ursula Meyer; "It's Only Words," by John Perreault; "Four Interviews," Arthur Rose [Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner]; "Art and Words," by Harold Rosenberg; "On Exhibitions and the World at Large: A Conversation with Seth Siegelaub"; "Documentation in Conceptual Art," by Lawrence Weiner, Daniel Buren, Mel Bochner, and Sol LeWitt; "The Decline and Fall of the Avant-Garde," by Robert Hughes; and "Les Levine Replies," by Les Levine. ... [details]
