Issue edited by Ingrid Sischy. Essays "Tony Cragg and Industrial Platonism," by Germano Celant; "The New (?) Expressionism: Art as Damaged Goods," by Donald Kuspit; "A Project," by A.R. Penck; "Surrendering to Presence: Robert Irwin's Esthetic Integration," by Melinda Wortz; "Of Mice and Folly in 'The Garden of Delights,'" by Nicolas Calas; "Books: Kelly Wise on 'Slave to Beauty,'" by Kelly Wise; Books: Charles Hagen on 'Photodiscovery,'" by Charles Hagen; "Max Kozloff on 'Nicaragua,' 'Falkland Road,' and 'Rajasthan,'" by Max Kozloff. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Issue edited by Ingrid Sischy. Essays "Painterly Edge: A Conversation with Ralph Humphrey," by Amy Baker; "Patience, Observation, and Investigation: Learning from Audubon," by Mike Glier; "Abstract Beauty - Friend or Enemy?" by Wu Guan-zhong; "Marks: Cy Twomby," by John Bernard Myers; "Komar and Melamid from Behind the Ironical Curtain," by Jamey Gambrell; "Presenting the Unpresentable: The Sublime," by Jean-François Lyotard; "Fear of Clay," by John Perreault; "Books: Sarah Charlesworth on 'Camerca Lucida,'" by Sarah Charlesworth. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Issue edited by Ingrid Sischy. Essays "Books: Peter Galassi on 'Photography: A Concise History,'" by Peter Galassi; "David True's 'Pendulums,'" by John Yau; "William Eggleston's Color Photographs: Matters of Record"; "Eikoh Hosoe and Yukio Mishima: The Shadow in the Time Machine," by Mark Holborn; "Statuary Versus Idols," by Alain Kirili; "Escher or Newman: Who Puts the Ghosts in the Machine?" by Gary Stephan; "Bracusi + Mondrian: A Sum, a Summa," by Sidney Geist. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Issue edited by Ingrid Sischy. Essays "Forum"; "Uncivil War," by Donald Kuspit; "'Guernica' and Guernica," by Phyllis Tuchman; "Hanne Darboven's Time: The Content of Consciousness," by Annelie Pohlen; "Time and Time Again," by Mario Perniola; "Nicola's Way," by Ida Panicelli; "How We Live: The Paintings of Robert Birmelin, Eric Fischl, and Ed Paschke," by John Yau. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]