Exhibition catalogue published in conjunction with show held at the Stedelijk van Abbemuseum, Eindhoven, April 6 - May 19, 1968. Show traveled to the Sint Pietersabdij, Gent, June 15 - August 15, 1968. ... [details]
Critical theory by Andrew Graham-Dixon. "... Graham-Dixon argues decisively against the preconception that the British are not a visual people. Starting with a revelatory account of the almost unknown masterpieces of the Catholic Middle Ages, [Dixon] celebrates the beauty and the brilliance of Britain's artistic heritage - from Thomas Gainsborough to Damien Hirst, William Hogarth to David Hockney, John Constable to Henry Moore. ... [details]
Exhibition catalogue published in conjunction with show held at the Castello di Rivoli, Museo d'Arte Contemporanea, October 20, 1997 - January 18, 1998. Essays by Ida Gianelli, Johanna Drucker, and David Ross. ... [details]
Issue edited by Jack Bankowsky. Essays "All Around Esthetes: Jeffrey Slonim on What Artists Listen To," by Jeffrey Slonim; "Fashion: Richard Martin on 'Ready to Wear,'" by Richard Martin; "Advertising: Collier Schorr on CK1," by Collier Schorr; "Glamour Wounds: Rhonda Lieberman on Swedish Winter," by Rhonda Lieberman; "Books: Greil Marcus Reviews Art Spiegelman's 'The Wild Party,'" by Greil Marcus; "Preview: 'In a Different Light:' Kevin Killian talks with Nayland Blake and Larry Rinder"; "Advertising: Louisa Buck on Damien Hirst," by Louisa Buck; "Museum Piece: Jon Savage on 'Steetstyle,'" by Jon Savage; "Music: Gary Indiana on Malcolm McLaren's 'Paris,'" by Gary Indiana; "Music: Bruce Hainley on the Palace Brothers," by Bruce Hainley; "Music: Christina Kelly on Drag City," by Christina Kelly; "Music: Greil Marcus' Top Ten," by Greil Marcus; "Mind's Eye Views: Boris Groys talks with Martin Honert"; "Philip Guston: 'Head and Bottle,'" by Patrick McGrath; "Warrior Cast: Stuart McKenzie talks with Lee Tamahori"; "Mourning Glory: Ross Bleckner in Retrospect. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Branden W. Joseph on Billy Klüver," by Branden W. Joseph; "Books: Arthur C. Danto on Francisco de Goya," by Arthur C. Danto; "Film: Sven Lütticken on Lars von Trier's 'Dogville,'" by Sven Lütticken; "Film: James Quandt on 'The Five Obstructions,'" by James Quandt; "Sound: Jan Tumlir on Matmos," by Jan Tumlir; "News: Steven Henry Madoff on James Cuno," by Steven Henry Madoff; "News: Jennifer Allen on the Palais de Tokyo," by Jennifer Allen; "News: Rachel Withers on Jens Hoffmann," by Rachel Withers; "Top Ten," by Trisha Donnelly; "Historical Fiction: The Art of Matthew Buckingham," by Tacita Dean; "1000 Words: Liisa Roberts," by Margaret Sundell; "Inside the Light Cube: Pierre Huyghe's 'Streamside Day Follies' and the Rise of Video Projection," by David Joselit; "In Conversation: John Baldessari & Jeremy Blake," introduction by Tim Griffin; "Rules of Engagement: Art and Experimental Communities," by Carlos Basualdo and Reinaldo Laddaga; "Wall to Wall: The Art of Kristina Braen," by Andrea Kroksnes; "Openings: hobbypopMUSEUM," by Alison M. ... [details]
"This anthology brings together seminal articles from one of America's most distinguished architecture magazines, copies of which are now extremely difficult to locate. Published and edited by John Entenza from 1938 to 1962, when he left Los Angeles to direct the Graham Foundation full time, Arts & Architecture played a significant role in the cultural history of Los Angeles and in the development of American modernism in general. ... [details]
Exhibition catalogue published in conjunction with show held August 20 - October 29, 1992. Traveled February 20 - March 25, 1993, Otis Parsons School of Art and Design, Los Angeles. Essays by Simon Watson and John S. ... [details]
Exhibition catalogue published in conjunction with show held in 1988. Artists include John Blake, Ernst Caramelle, Rodney Graham, Jan van Grunsven, J.C.J. van der Heyden, Rob Nypels, Willem Oorebeek, Hermann Pitz, Tom Puckey, Guy Rombouts, Réme Zaugg and Mirjam de Zeeuw. [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Reference catalogue of the American art collection at Smith College. Contributions by Linda Muehlig, Cynda L. Benson, Deborah Chotner, Kristen Erickson, Elizabeth C. Evans-Iliesiu, Betsy B. Jones, Patricia Junker, Elizabeth Mankin Kornhauser, Linda Merrill and Daniel J. ... [details]