Issue edited by Philip Leider. Essays "American Sculpture at the Los Angeles County Museum," by Philip Leider; "Art Objecthood," by Michael Fried; "Notes on Sculpture, Part 3," by Robert Morris; "Claes Oldenburg's Soft Machines," by Barbara Rose; "Towards the Development of an Air Terminal Site," by Robert Smithson; "Mark di Suvero," by Max Kozloff; "Richard A. ... [details]
Issue edited by Philip Leider. Essays "Roy Lichtenstein at the Guggenheim," by Max Kozloff; "Place and Process," by Willoughby Sharp; "The origins of Ray Gun, " by Barbara Rose; "The Partial Figure," by Albert Elsen; "557,087: Seattle," by Peter Plagens; "El Lissitzky's 'Prouns', Part II," by Alan C. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part IV," by Albert Elsen; "Phillip King, Sculpture, 1960-1968; by Charles Harrison; "Canada's Arthur McKay," by Terry Fenton; "Earthworks and the New Picturesque," by Sidney Tillim; "The Micro-Paintings of Gene Davis," by Donald Wall; "Kensett at the Whitney," by Jerrold Lanes. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Men and Machines," by Max Kozloff; "The Reception of Figurative Art," by Sidney Tillim; "Hoving's Harlem," by Eugene D. Genovese; "9 in a Warehouse," by Max Kozloff; "The Essential David Smith, Part I," by Rosalind Krauss; "Expressionism, Eccentric and Concentric," by Gabriel Laderman; "Stanley Kubrick's Space 2001," by Annette Michelson. ... [details]
Issue edited by Philip Leider. Essays "Harlequins, Saltimbanques, Clowns, and Fools," by Theodore Reff; "Picasso: Drawing as if to Possess," by Leo Steinberg; "Sonsbeek: Speculations, Impressions," by Kasha Linville; "Quality in Louis," by Barbara Rose; "The 'Art and Technology' Exhibition at the Los Angeles County Museum (Two Views) Corporate Art," by Jack Burnham; "The Multimillion Dollar Art Boondoggle," by Max Kozloff; "Keith Sonnier at the Modern," by Kenneth Baker; "Anglo-American Standard Reference Works: Acute Conceptualism," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "An Ad Reinhardt Monologue," by Mary Fuller; "A Conversation with Nancy Graves," by Emily Wasserman; "The Sculpture of Peter Alexander," by Peter Plagens; "Don Potts' Game of Car," by Knute Stiles; "The Cuban Poster," by Susan Sontag; "A Master Plan for the Met," by Bernhard Leitner; "A Master Plan for the Met," by Bernhard Leitner; "The Matisse Centenary," by Kenworth Moffett; "The Iconography of Edvard Munch's The Sphinx," by Reinhold A. ... [details]
