Guest edited by Martha Wilson. Cover by Tseng Kwong Chi. Essays "Editor's Statement," by Martha Wilson; "Artist's Pages," by Alastair MacLennan; "Resurrecting the 'Disappeared': Recollections of Artists in absentia," by Jacki Apple; " 'Presence' in absentia: Experiencing Performance as Documentation," by Amelia Jones; "Postcolonialism and Androgyny: The Performance Art of Grace Jones," by Miriam Kershaw; "Interperformance: The Live Tableaux of Suzanne Lacy, Janine Antoni, and Mariana Abramovic," by Jennifer Fisher; "Some Relations between Conceptual and Performance Art," by Frazer Ward; "Wendy Geller's '48-Hour Beauty Blitz': Gender, Glass, and the Pleasures of Popular Culture," by Jayne Wark; "Saint Orlan Faces Reincarnation," by Jill O'Bryan; "A History of Performance," by Moira Roth. ... [details]
Exhibition catalogue published in conjunction with show held January 1996. Essay by Robert C. Morgan. Includes a biography by Dr. Catherine St. John and a list of exhibitions. [details]
Exhibition catalogue published in conjunction with show held March 18 - April 22, 1995. Texts by Robert C. Morgan and Pierre Restany. Includes biography. [details]
Exhibition catalogue published in conjunction with show held October 15, 1995 - February 4, 1996. Texts by Ann Goldstein and Anne Rorimer, Lucy R. Lippard, Stephen Melville, Jeff Wall, Susan L. Jenkins. ... [details]
Comprehensive overview of the career of Nam June Paik. Text by Dr. Kenworth W. Moffat, Cho Ki-Jun, Calvin Tompkins, Nam June Paik, John G, Hanhardt, Barbara London, Robert C. Morgan and Ken Friedman. Interviews by Youngwoo Lee and Florian Matzner. ... [details]
Exhibition catalogue published in conjunction with show held at the Frankfurter Kunstvereins, September 30 - November 26, 1995. Essays by Wilfried Wiegand and Peter Weiermair. Artists in the exhibition include Berenice Abbott, Ansel Adams, Manuel Alvarez Bravo, Diane Arbus, Eugène Atget, Richard Avedon, Maurice Beck, Helen MacGregor, Hans Bellmer, Ruth Bernhard, Werner Bischof, Erwin Blumenfeld, Margaret Bourke-White, Brassaï, Anne Brigman, Francis Brugiuère, Robert Capa, Jewgeni Chaldej, Paul Citroen, Alvin Langdon Coburn, John Coplans, Imogen Cunningham, Fred Holland Day, Robert Demachy, Minya Diéz-Dührkoop, Robert Doisneau, Frantisek Drtikol, Harold Edgerton, William Eggleston, Gerard Pieter van Elk, Ed van der Elsken, Hugo Erfurth, Andreas Feininger, Larry Fink, Robert Frank, Mario Giacomelli, Ralph Gibson, Baron Wilhelm von Gloeden, Jan Groover, Hervé Guibert, Ernst Haas, Fritz Henle, Hugo Henneberg, Lewis Wickes Hine, Oscar Hofmeister, Theodor Hofmeister, Emil Otto Hoppé, Peter Hujar, Alfredo Jaar, Bill Jacobsen, Gertrude Käsebier, André Kertész, William Klein, Barbara Klemm, François Kollar, Josef Koudelka, Germaine Krull, Heinrich Kühn, Jacques-Henri Lartique, Erna Lendvai-Dircksen, Felix H. ... [details]
Exhibition catalogue published in conjunction with show held December 13 - 30, 1995. Text by Robert C. Morgan. Luxuriously illustrated in color and black-and-white. Includes biography and exhibition history. ... [details]
Exhibition catalogue published in conjunction with show held September 8 - October 1, 1994. Essay by Robert C. Morgan. Includes biography, selected public collections, bibliography and checklist. [details]
Issue edited by Jack Bankowsky. Essays, Artforum '62 - '79, "Ars Longa, Pecunia Brevis," by John Irwin; "Phil Leider, Editor: No Phil, No Forum," by Walter Hopps; "Phil Leider, Editor: He Was a Great Editor," by Richard Serra; "Phil Leider, Editor: He Was Extremely Talkative," by Irving Blum; "Phil Leider, Editor: He Was Extremely Terse," by John Coplans; "Phil Leider, Editor: He Called Me Chuck," by Chuck Close; "Phil Leider, Editor: He Was a Great Editor, and He Loved his Wife," by Michael Fried; "John Coplans: A Conversation with Peter Plagens"; "Let Slip the Dogs of War: Editing Artforum," by Angela Westwater; "Charles Cowles: A Conversation with Henry Geldzahler"; "The Page Was My Party," by Robert Pincus-Witten; "Yours Faithfully, Joseph Masheck," by Joseph Masheck. ... [details]
Critical theory by Robert C. Morgan, discussing the art of the nineties. Essays include "Does the Trace Remain? The Situation of the 'International' Artist Today," "Cynicism and the Choice of Action," "Formalism as a Transgressive Device" and others. [details]