Exhibition catalogue published in conjunction with show held at the Whitney Museum of American Art, New York, 1982. Text by John G. Hanhardt, Dieter Ronte, Michael Nyman, and David A. Ross. Includes illustrated chronology, exhibition and performance history, and selected bibliography. [details]
Large-scale exhibition catalogue published in conjunction with show held at the San Francisco Museum of Modern Art, February 19 - May 30, 2000. Traveled to the Museum of Contemporary Art, Chicago, July 22 - October 22, 2000 ; and Whitney Museum of American Art, November 30, 2000 - February 25, 2001. ... [details]
Exhibition catalogue published in conjunction with show held at Whitney Museum of American Art, Downtown Branch, July 18 - August 26, 1983. Essays by John Carlin and Sheena Wagstaff. Additional texts by Richard Marschall, Jerry Robinson, Gary Groth, Kim Thompson, J. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
Issue edited by John Coplans. Essays "Pygmalion Reverse," by Max Kozloff; ""The Myth of the Androgyne," by Robert Knott; "Eros or Thanatos - The Surrealist Cult of Love Reexamined," by Whitney Chadwick; "On Contemporary Primitivism," by Carter Ratcliff; "Altman in Music City," by Stephen Farber. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by John Coplans. Essays "Institution: Whitney Annual," by Lawrence Alloway; "16 Whitney Museum Annuals of American Painting, Percentages 1950-72," by Leon Golub; "Yes! Says Arakawa," by Joseph Masheck; "Eadweard Muybridge: Fragments of a Tesseract," by Hollis Frampton; "Ferdinand Hodler: Expressionism Versus Symbolism," by Robert Pincus-Witten; "Roughly Ordered Thoughs on the Occasion of the Bruce Nauman Retrospective in Los Angeles," by Peter Plagens; "2D/3D," by Leon Golub; "Women Choose Women," by April Kingsley; "Unconscious Formalism, A Response to Andre's Note on the Bechers," by Joe Masheck; "Kandinsky: 'On the Artist'," by Wassily Kandinsky; "An Interview with Emile de Antonio," by Tanya Neufeld; "Joseph Kosuth: 2 Shows," by Bruce Boice. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part II," by Albert Elsen; "Serial Imagery," by John Coplans; "Edward Hopper," by Jerrold Lanes; "John D. Graham," by Irving Sandler; "A Reconstituted Diary, Greece, 1967," by Lucas Samaras; "The Films of Jean-Luc Godard," by Manny Farber; "New Paintings by Darby Bannard," by Kermit Champa. ... [details]
