Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "An Introduction to the Notebook of Maya Deren, 1947," by Catrina Neiman; "An Exchange of Letters," by Maya Deren and Gregory Bateson; "From the Notebook of 1947," by Maya Deren; "On Reading Deren's Notebook," by Annette Michelson; "Letters from Mexico," by Sergei Eisenstein; "Bayreuth: The Centennial Ring," by Annette Michelson; "Chéreau's Treachery," by Jean-Jacques Nattiez and Pierre Boulez; "A Conversation," by Michel Fano. [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "In the Name of Picasso," by Rosalind Krauss; "The Holy Alliance: Populism and Feminism," by Clara Weyergraf; "Art and Authoritarianism: Walter De Maria's Lightning Field," by John Beardsley; "Figures of Authority, Ciphers of Regression," by Benjamin H. ... [details]
Summer 1982 special issue of October on Rainer Werner Fassbinder. Edited by Rosalind Krauss and Annette Michelson. Contents include: "In a Year of Thirteen Moons," by Rainer Werner Fassbinder; "Narrative and Sexual Excess," by Robert Burgoyne; "Fassbinder, Franz, Fox, Elvira, Erwin, Armin, and All the Others," by Douglas Crimp; "Bewitched by the Holy Whore," by Tony Pipolo; "Lili Marleen: Fascism and the Film Industry," by Thomas Elsaesser; and "Rainer Werner Fassbinder: A Complete Filmography. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "De Stijl, Its Other Face: Abstraction and Capaphony, or What Was the Matter with Hegel?," by Annette Michelson; "The Judgement Seat of Photography," by Christopher Phillips; "The De-Politicization of Gustave Courbet: Transformation and Rehabilitation under the Third Republic," by Linda Nochlin; "Alienating Alienation: Fredric Jameson's Revisionary Romance," by Perry Meisel; "When Words Fail," by Rosalind Krauss; "Documenta 7: A Dictionary of Received Ideas," by Benjamin H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "On the Eve of the Future: The Reasonable Facsimile and the Philosophical Toy," by Annette Michelson; "Cinematographic Views," by Georges Méliès; "A Picturesque Stroll around Clara-Clara," by Yve-Alain Bois; "The Index of the Absent Wound (Monograph on a Stain)," by Georges Didi-Huberman; "Interview with Jonas Mekas," by Scott MacDonald; "On First Hearing about Hermeneutics," by Joseph Rykwert. [details]
Spring 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Memoir of Hollis Frampton," by Barry Goldensohn; "A Portfolio of Photographs Letters from Framp 1958 - 1968 Erotic Predicaments for Camera," by Hollis Frampton; "Word Pictures: Frampton and Photography," by Christopher Phillips; "The Red and The Green," by Bruce Jenkins; "Interview with Hollis Frampton," by Peter Gidal; "Frampton's Lemma, Zorn's Dilemma," by Allen S. ... [details]
Winter 1985 issue of October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "Moscow Diary," by Walter Benjamin with a preface by Gershom Scholem, translated by Richard Sieburth, and edited by Gary Smith. [details]
Edited by Douglas Crimp, Rosalind Krauss, and Annette Michelson. Essays "In Praise of Horizontality," by Annette Michelson; "The Religion of the Caves The Hands of Gargas," by André Leroi-Gourhan; "Originality as Repetition," by Rosalind Krauss; "The Primary Colors for the Second Time," by Benjamin H. ... [details]
Fall 1986 issue of October. Edited by Douglas Crimp, Rosalind Krauss, and Annette Michelson. Contents include: "Public Projections," by Krzysztof Wodiczko; "A Conversation with Krzysztof Wodiczko," by Douglas Crimp, Rosalyn Deutsche, and Ewa Lajer-Burcharth; "Foksal Gallery Documents," by Wieslaw Borowski, Hanna Ptaszkowska, Mariusz Tchorek, and Andrzej Turowski; "Krzysztof Wodiczko's Homeless Projection and the Site of Urban "Revitalization," by Rosalyn Deutsche; "Hitchcock," by Slavoj Žižek; and "Kinematography and the Analytic Text: A Reading of Persona," by P. ... [details]