Issue edited by Bice Curiger. Essays "Interview Sigmar Polke," by Bice Curiger; "Modernism And Günther Förg's Photographs," by John Caldwell; "At The Crossroads Of Disciplines," by Catherine Queloz; "We Are Not Afraid / An Impossible Comparison," by Wilfried Dickhoff; "Philip Taaffe: History Is In The Making," by Jeff Perrone; "A Propos Philip Taaffe," by Edmund White; "Fragment On Ornament," by Francesco Pellizzi; "Philip Of Naples And The Evocative Geometry Of History," by G. ... [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue edited by Bice Curiger. Essays "Imi Knoebel, Isa Genzken, Gerhard Merz," by Jean-Pierre Bordaz; "Hammon's Harlem Equation: Four Shots Of Memory, Three Shots of Avant-Garde," by Robert Farris Thompson; "Rich In Ruins," by Iwona Blazwick and Emma Dexter; "Is It Real Or Is It Memorex - A One Act Play," by John Farris; "Yo-Yo," by Lynne Cooke; "No Wonder," by David Hammons and Louise Neri; "America: Yet Another Discovery - Mike Kelley in Video," by Diedrich Diederichsen; "Wild Kingdom," by Lane Relyea; "The World's Bad Breath," by Bernard Marcadé; "Talking Failure," by Mike Kelley and Julie Sylvester; "Rémy Zaugg," by Claude Ritschard; "Les Infos Du Paradis," by Camiel Van Winkel; "Cumulus From America," by Daniela Salvioni; "Cumulus Aus Europa," by Hans-Ulrich Obrist; "Balkon," by Ursula Pia Jauch. ... [details]
Issue edited by Bice Curiger. Essays "Penis Plenty or Phallic Lack: Exit Mister Punch," by Marina Warner; "On Dennis Oppenheim," by G. Roger Denson; "Provocation and Poetic Enigma," by Véronique Bacchetta; "As Objects of," by Barrett Watten; "How feminist are Rosemarie Trockel's objects?," by Anne M. ... [details]
Issue edited by Bice Curiger. Essays "André Thomkins," by Renate Puvogel; "Thomas Struth," by Ulrich Loock; "Untitled," by Richard Artschwager; "On Artschwager On Art," by Arthur C. Danto; "The Wax And The Mast," by Georg Kohler; "Frogs, Dogs And Hungry Businessmen," by Mario A. ... [details]
Issue edited by Bice Curiger. Essays "On Asta Gröting," by Gudrun Indoen; "Gary Hill: 'Who am I but a figure of speech?'," by Lynne Cooke; "A Conversation with Ilya Kabakov: 'With Russia on your Back,'" by Boris Groys; "The Architect of Emptiness," by Robert Storr; "On Lies and Other Truths," by Jan Thorn-Prikker; "Kabakov's Twinkle," by Claudia Jolles; "Bad Jokes," by Edmund White; "To Know, Know, Know Him," by Susan Tallman; "Richard Prince, Realist," by Daniela Salvioni; "Red Wings: Concerning Richard Prince's 'Spiritual America,'" by Kathy Acker; "Abstract Monsters," by Patrick McGrath; "Les Infos Du Paradis," by Jo Anna Isaak; "Cumulus From America," by Hunter Drohojowska; "Cumulus Aus Europa," by Eleonora Louis and Christoph Geissmar; "Balkon," by Edward Ball. ... [details]
Issue edited by Bice Curiger. Essays "Trickster Eva Hesse," by Ursula Panhans-Bühler; "Clockwork (Jon Kessler)," by Douglas Blau; "Stephan Balkenhol: The Figure as Witness," by Neal Benezra; "As Time goes by," by Vik Muniz; "Autonomous People," by Max Katz; "57 Pinguine," by Jean-Christophe Ammann; "Sophie Calle's Uncertainty Principle," by Luc Sante; "Postcards to Sophie Calle," by Joseph Grigely; "The Hyperfiction of Life and Death," by Patrick Frey; "Sophie Calle's and Gregory Shepard's Double Blind," by Robert Beck; "Dimensions variable: Liz Larner," by Kirby Gookin; "Rudolf Schwarzkogler," by László F. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Inaugural issue of Journal 188, edited by Meredith Allen, Joan Ratajack, and Lynette Diaz. Contents include: "Cutting," by D. Travers Scott; "Invisible Girls," by Barbara Seyda; "(excerpt from) The Double Standard," by Kathe Burkhart; "Poetry," by Kathleen McShane, John Hosford, Robert Monda, Nancy Taylor, Leslie Ladds, Catherine Jackson; and "Art," by Jude Schwendenwien, Chuck Agro, Joel Peter Johnson, Ebon Fisher, Lisa Haney, Terry Corgey, Susan Cowles, Robin Locke Monda, Alfred Stuart, Carol Sun, Doug Aitken, Rebecca Bailen, Guerrilla Girls, Joyce Roeutter, Madonna Dunbar, Yael Routtenberg, Kerr & Malley, and Deborah Whitney; and "Bios. ... [details]
July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. ... [details]
