One of the most important publication of the 1970s conceptualism edited by Sarah Charlesworth, Michael Corris, Joseph Kosuth, Andrew Menard, Mel Ramsden, Preston Heller, and Ian Burn. Only three issues published between 1975 and 1976. ... [details]
Exhibition catalogue published in conjunction with show held November 9, 1993 - January 2, 1994. Organized by Catherine David, with essays by Paul Wood and Charles Harrison. Includes exhibition history, selected bibliography, and exhibition checklist. ... [details]
May 1975 issue featuring collaborative contributions. Essays "For Thomas Hobbes - I," by Terry Atkinson, Michael Baldwin, Joseph Kosuth, Lynn Lemaster, Philip Pilkington; "A Review of Styles," by David Rushton and Paul Wood; "'To Begin With, While I am Clearly a Marxist Sympathizer. ... [details]
Issue edited by Charles Harrison. "Editorial Note," by Charles Harrison; "An Attempt at a Textual Analogue of a Possible Art & Language Exhibition," by Michael Corris and Neil Powell; "Fake Experience and Talking," by Philio Pilkington; "Artists' Writing," by Charles Harrison; "Artist's Language 1," by Mel Ramsden; "Artist's Langauge 2," by Michael Baldwin; "If We are Historical and Logical Monsters then so much the better. ... [details]
September 1974 issue of Art-Language featuring collaborative contributions. Contributions by Ian Burn, Mel Ramsden, Terry Smith, Terry Atkinson, David Bainbridge, Michael Baldwin, Michael Corris, Charles Harrison, Preston Heller, Graham Howard, Harold Hurrell, Joseph Kosuth, Andrew Menard, Philip Pilkington, David Rushton. ... [details]
Issue edited by Tim Griffin. Essays "Books: David Rimanelli on Timothy Greenfield-Sanders," by David Rimanelli; "On Site: Eric Banks on Frank Sinatra's Paintings," by Eric Banks; "Film: Dennis Cooper on 'Dig!,'" by Dennis Cooper; "Film: J. ... [details]
Issue edited by Tim Griffin. Essays "Thomas Crow on the School of Pop," by Thomas Crow; "Clement Greenberg on Pop Art," by Clement Greenberg with an introduction by James Meyer; "Lawrence Alloway on Pop Since 1949," by Lawrence Alloway with an introduction by Nigel Whiteley; "Bruce Hainley on 'Transformer,'" by Bruce Hainley; "Jan Tumlir on Destroy All Monsters," by Jan Tumlir; "David Deitcher on Spiritual America," by David Deitcher; "Thomas Lawson on 'Infotainment,'" by Thomas Lawson; "Kate Bush on Young British Art," by Kate Bush; "Graham Bader on 'High & Low," by Graham Bader; "Michael Wilson on 'Just Pathetic,'" by Michael Wilson; "Robert Rosenblum on 'Post Human,'" by Robert Rosenblum; "Howard Singerman on 'Helter Skelter,'" by Howard Singerman; "Kitty Hauser on 'Superflat,'" by Kitty Hauser; "My Warhol," by Charles Ray, Richard Prince, Pierre Huyghe, Collier Schorr, Rachel Harrison, Wayne Koestenbaum, Maurizio Cattelan, Peter Halley, David Robbins, Cady Noland, Paul Sietsema, Thomas Hirschhorn, Kara Walker, and Takashi Murakami; "My Pop," by Jonathan Horowitz, Dave Muller, Chris Ofili, Inez van Lamsweerde, Banks Violette, Jason Rhoades, Andrea Bowers, Gary Hume, Isaac Julien, Karen Kilimnik, Kelley Walker, Raymond Pettibon, Urs Fischer, Assume Vivid Astro Focus, Gelatin, Rob Pruitt, Stefano Arienti, Paul Pfeiffer, Richard Hawkins, Tom Sachs, and Dara Birnbaum; "Sampling the Globe," by Daniel Birnbaum; "Pop Life: Los Super Elegantes," by David Rimanelli; "Performing the System," by Tom Holert; "Performing the Self: Martin Kippenberger," by Alison M. ... [details]
Critical compendium of notable post-war American architects and their contributions to the American landscape. Organized and edited by Arthur Drexler and Henry-Russell Hitchcock, with an introduction by Philip C. ... [details]
Exhibition catalogue published in conjunction with show held October 4, 1984 - January 6, 1985. Essays by Howard N. Fox, Miranda McClintic and chronology by Phyllis Rosenzweig. Artists include Vito Acconci, Mac Adams, John Ahearn, Terry Allen, Carlos Almaraz, Laurie Anderson, Eleanor Antin, Siah Armajani, Richard Artschwager, Conrad Atkinson, Alice Aycock, John Baldessari, Robert Barry, Jean-Michel Basquiat, Lynda Benglis, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Derek Boshier, Louise Bourgeois, Troy Brauntuch, Marcel Broodthaers, Joan Brown, Roger Brown, Chris Burden, Victor Burgin, Scott Burton, Jo Ann Callis, Peter Campus, Henry Chalfant, Louisa Chase, Sandro Chia, Francesco Clemente, Robert Colescott, Enzo Cucchi, Donna Dennis, Jane Dickson, Jiri Georg Dokoupil, Bernard Faucon, Rafael Ferrer, Eric Fischl, Vernon Fisher, Hamish Fulton, Charles Garabedian, Gilbert & George, Leon Golub, Robert Graham, Denise Green, Philip Guston, Hans Haacke, Keith Haring, Helen Mayer Harrison, Newton Harrison, Mariusz Hermanowicz, Nancy Holt, Jenny Holzer, Douglas Huebler, Jörg Immendorff, Neil Jenney, Anselm Kiefer, Edward Kienholz, Nancy Reddin Kienholz, Ken Kiff, Alain Kirili, Komar & Melamid, Joseph Kosuth, Jannis Kounellis, Barbara Kruger, Thomas Lanigan-Schmidt, Jean Le Gac, Les Levine, Sherrie Levine, Richard Long, Robert Longo, Markus Lupertz, Carlo Maria Mariani, Gordon Matta-Clark, Mario Merz, Duane Michals, Malcolm Morley, Ree Morton, Robert Moskowitz, Bruce Nauman, Hermann Nitsch, Isamu Noguchi, Jim Nutt, Dennis Oppenheim, Tom Otterness, Nam June Paik, Mimmo Paladino, Esther Parada, Ed Paschke, A. ... [details]
"These essays by art historian and critic Charles Harrison are based on the premise that making art and talking about art are related enterprises. They are written from the point of view of Art & Language, the artistic movement based in England -- and briefly in the United States -- with which Harrison has been associated for thirty years. ... [details]
