Exhibition catalogue published in conjunction with show held at Whitney Museum of American Art, New York, January 14 - March 21, 1999. Traveled to Wexner Center for the Arts, Columbus, Ohio, September 17 - December 31, 2000. ... [details]
Exhibition catalogue published in conjunction with show held at Whitney Museum of American Art, New York, January 14 - March 21, 1999. Traveled to Wexner Center for the Arts, Columbus, Ohio, September 17 - December 31, 2000. ... [details]
Set of four exhibition catalogues for the yearly show "Art in Process" at Finch College Museum of Art, Contemporary Study Wing, New York, New York. Each show was organized and curated by Elayne Varian. ... [details]
Exhibition catalogue published in conjunction with show held December 17, 1968 - February 9, 1969. Artists included in the exhibition are Peter Agostini, Calvin Albert, Peter Alexander, John Anderson, Stephen Antonakos, Richard Artschwager, Jerry Ballaine, Robert Bart, Leonard Baskin, Mary Bauermeister, Bennett Bean, John Bennett, Fletcher Benton, Tony Berlant, Ben Berns, Michael Bigger, Ronald Bladen, Varujan Boghosian, Lee Bontecou, Louise Bourgeois, Alexander Calder, Kennetth Campbell, John Chamberlain, Chryssa, Mike Cooper, Tony Delap, Walter De Maria, Deborah de Moulpied, Jose de Rivera, Mark di Suvero, Tom Doyle, Robert Engman, Peter Erskine, Herbert Ferber, Frank Gallo, William Geis III, Cristos Gianakos, John Goodyear, Robert Graham, Nancy Grossman, Robert Grosvenor, Roy Gussow, Peter Gutkin, Michael Hall, Duayne Hatchett, Alex Hay, Michael Heizer, Eva Hesse, Will Horwitt, Robert Howard, Robert Hudson, Richard Hunt, James Huntington, Daniel Larue Johnson, Donald Judd, Craig Kauffman, Ellsworth Kelly, William King, Robert Kinmont, Lyman Kipp, Gabriel Kohn, Joseph Konzal, Rockne Krebs, Gary Kuehn, Gerald Laing, Leroy Lamis, Stanley Landsman, Michael Lekakis, Joseph Levi, Les Levine, Alexander Liberman, Roy Lichtenstein, Seymour Lipton, Jim Love, Bix Lye, Sheldon Machlin, Robert Mallary, John McCracken, Ed McGowin, Walter McNamara, Clement Meadmore, James Melchert, Robert Morris, Robert Murray, Louise Nevelson, Barnett Newman, Minoru Niizuma, Claes Oldenburg, Dennis Oppenheim, Alfonso Ossorio, Harold Paris, Kenneth Price, Leo Rabkin, Carlos Ramos, James Reineking, Sam Richardson, Robert Richenburg, George Rickey, Larry Rivers, Henry Rollins, James Rosati, Bernard Rosenthal, Charles Ross, Theodore Roszak, Lucas Samaras, Fred Sandback, Alan Saret, Julius Schmidt, Roy Schnackenberg, George Segal, Jason Seley, William Sellers, Richard Serra, Robert Smithson, Kenneth Snelson, Sylvia Stone, Edvins Strautmanis, George Sugarman, Wayne Taylor, Julius Tobias, Michael Todd, Ernest Trova, Anne Truitt, William Tunberg, Dewain Valentine, Richard van Buren, Frank Lincoln Viner, Ruth Vollmer, David von Schlegell, David Weinrib, Tom Wesselmann, H. ... [details]
Exhibition catalogue published in conjunction with show held at the Denver Art Museum, July 13 - August 26, 1979. Traveled to the University of Southern California Art Galleries, San Diego, October 11 - November 25, 1979; the Honolulu Academy of Art, April 4 - May 18, 1980; the Oakland Museum, California, June 17 - July 27, 1980; the University Art Museum, University of Austin, Texas, September 4 - October 19, 1980; and the Herbert F. ... [details]
Exhibition catalogue published in conjunction with show held September 17 - December 1, 2000. Text by Alanna Heiss, Brian O'Doherty, and Carolyn Christov-Bakargiev, in addition to an anthology of texts by Donald Judd, Hannah Green, Sanford Schwartz, Thomas McGonigle, Dan Flavin, Martin Hentschel, Ken Johnson, Peter Plagens, and Roberta Smith. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
September 1988 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Joan Simon, Eleanor Hartley, Holland Cotter, John Ash, Stephen Westfall, Brooks Adams, Ken Johnson, Paul Smith, Carl Little, Walter Thompson, Suzaan Boettger, Gerrit Henry, Lawrence Campbell, Walter Thompson, Donald B. ... [details]
March 1989 issue of Art in America. Edited by Elizabeth C. Baker, with written contributions by Marit Werenskiold, Christopher Finch, Donald B. Kuspit, Robert Storr, Ann Temkin, Brian Wallis, Christopher Lewis, Jill Johnston, Ivan Karp, Nancy Princenthal, Holland Cotter, Ken Johnson, John Zinsser, Amy Fine Collins, Bradley Collins, Jr. ... [details]
