Issue edited by John Coplans. Essays "Nadar and the Republic of Mind," by Max Kozloff; "How Others Live: Some Recent Photography Books," by Colin L. Westerbeck, Jr.: "The Anti-Photographers," by Nancy Foote; "The Directorial Mode: Notes Toward a Definition," By A. ... [details]
Issue edited by John Coplans. Essays "On Arthur Dove," by Sanford Schwartz; "Photos Within Photographs," by Max Kozloff; "The Story of 'A', Book Review," by Peter Plagens; "Ways of Seeing, Book Review," by Alan Wallach; "Three Sculptors: Mark di Suvero, Richard Nonas, Charles Ginnever," by Nancy Foote; "Beaux-Arts at the Modern," by Stanley Abercrombie; "Hercules Florence, Inventor do Photographia," by Weston Naef. ... [details]
Issue edited by John Coplans. Essays "Pygmalion Reverse," by Max Kozloff; ""The Myth of the Androgyne," by Robert Knott; "Eros or Thanatos - The Surrealist Cult of Love Reexamined," by Whitney Chadwick; "On Contemporary Primitivism," by Carter Ratcliff; "Altman in Music City," by Stephen Farber. ... [details]
Special painting issue edited by John Coplans. Essays "'Painters Reply," by Rudolf Baranik, Gene Davis, Stephen Greene, Buffie Johnson, Wolf Kahn, R.B. Kitaj, Terence La Noue, Ellen Lanyon, Adele Leonard, Allan McCollum, Dona Nelson, Pat Passlof, Tony Robbin, Jim Roche, Edwin Ruda, Peter Saul, David Simpson, Joan Snyder, Paul Staiger, May Stevens, Sidney Tillim, John Torreano, Mario Yrissary; "Painting and Anti-Painting: A Family Quarrel," by Max Kozloff; "Painting and the Struggle for the Whole Self," by Andrew Forge; "Patterns, Grids, And Painting," by Amy Goldin; "Remarks on Their Medium by Four Painters," by Pat Adams, Nancy Graves, Budd Hopkins, Irving Petlin: "None Dare Call it Boho," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "'Aligned with Nazca," by Robert Morris; "Landscape Permuted: From Painting to Photography," by Barbara Novak; "A Portfolio of Western Landscape Photographs," photographs by C. ... [details]
Issue edited by John Coplans. Essays "'Inside the White Cube: Notes on the Gallery Space, Part I," by Brian O'Doherty; "'Women of Photography': History and Taste," by Jeff Perrone; "An Art of the Object," by Oleg Grabar; "Islamic Art: The Met's Generous Embrace," by Amy Goldin; "Oldenburg's Mouse," by Phil Patton; "Infrastructures: The Films of Alain Robbe-Grillet," by Colin L. ... [details]
Issue edited by John Coplans. Essays "'Such Good Intentions': Architecture for the Arts at Purchase," by Suzanne Stephens; "Problems from Early Kupka," by Bruce Boice; "European Painting in LA: A Grab Bag of Well-worn Issues," by Peter Plagens; "Alex Katz's Development," by Lawrence Alloway; "Super Realism: A Critical Anthology, Book Review," by Phil Patton; "Milestones, Film Review," by Steven Simmons. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by John Coplans. Essays "The Instrumental Image: Steichen at War," by Allan Sekula; Television: Video's Frightful Parent, Part I, by David Antin; "Neutralizing 'The Age of Revolution," by Carol Duncan; "Art of the Third Reich: Documents of Oppresion," by Manuela Hoelterhoff; "Images of the Chinese People," by Peter Walch. ... [details]