Issue edited by John Coplans. Essays "Artists as Writers, Part Two: The Realm of Language," by Lawrence Alloway; "Robert Smithson, the 'Amarillo Ramp,'" by John Coplans; "The Art Comics of Ad Reinhardt," by Thomas B. ... [details]
November 1974 issue of Artforum, edited by John Coplans. This is the issue of Artforum that includes the (in)famous Lynda Benglis "dildo photograph" advertisement. Contents include: "Skyscraper Style: Art Deco New York," by Cervin Robinson and Rosemarie Bletter; "John Storrs, Early Sculptor of the Machine Age," by Abraham A. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
Issue edited by John Coplans. Essays "Yvonne Rainer, Part Two: 'Lives of Performers'," by Annette Michelson; "Microcosm to Macrocosm / Fantasy World to Real World," by Charles Simonds; "Maria Nordman," by Peter Plagens; "'Dada': a Code for Saints?," by John Elderfield; "Art and Art and Language," by Terry Smith; "Victor Burgin: Language and Perception," by Roelof Louw; "Jackie Winsor," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Malevich as a Counterrevolutionary (East and West)," by Max Kozloff; "The Object Perceived / the Object Apprehended," by Susan Tower; "The View from the 20th Century," by Lawrence Alloway; "A Phenomenological Approach to Artistic Intention," by Donald B. ... [details]
Exhibition catalogue published in conjunction with show held at the Whitney Museum of American Art, New York, April 6 - June 16, 1974. Text by Lawrence Alloway. Artists include: Richard Artschwager, Billy Al Bengston, Allan D'Arcangelo, Jim Dine, Joe Goode, Phillip Hefferton, Robert Indiana, Jasper Johns, Roy Lichtenstein, Claes Oldenburg, Mel Ramos, Robert Rauschenberg, James Rosenquist, Edward Ruscha, Andy Warhol, and Tom Wesselmann. ... [details]
Issue edited by John Coplans. Essays "Robert Witz: Selections from the Tomah Letters," by Robert Witz; "Before What Flowering? Thoughts on West Coast Art," by Peter Plagens; "Sound-Script Relations and the New Notation," by Annson Kenney; "Private Objects: The Sculpture of Kurt Schwitters," by John Elderfield; "Murals in New Mexico," by Eric Kroll; "The Jules Olitski Retrospective," by Joseph Masheck; "Biography of a Teaching Machine," by Craig Hodgetts; "On Daniel Buren," by Roberta Smith; "Function of the Museum," by Daniel Buren; "A Retrospective of Anthropological Film," by Paul S. ... [details]
Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Nature as Artifact: Alan Sonfist," by Robert Joseph Horvitz; "Residual Sign Systems in Abstract Expressionism," by Lawrence Alloway; "Sense and Sensibility," by Rosalind Krauss; "Ellsworth Kelly at the Modern," by Joseph Masheck; "The Rivera Frescoes of Modern Industry at The Detroit Institute of Arts: Proletarian Art Under Capitalist Patronage," by Max Kozloff; "Mary Miss," by Laurie Anderson; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Agnes Martin," by Lawrence Alloway; "Reflections," by Agnes Martin; "Early Work," by Lizzie Borden; "Jan Dibbets; The Photograph and the Photographed," by Bruce Boice; "The Birth of de Stijl, Part I: Piet Mondrian, The Subject Matter of Abstraction," by Robert P. ... [details]