Issue edited by John Coplans. Essays "Donald Burgy: Participating in the Universe," by Robert J. Horvitz; "Three Swiss Painters," by Robert Pincus-Witten; "On Giacommetti," by Andrew Forge; "Robert Morris: the Complication of Exhaustion," by Jeremy Gilbert-Rolfe; "Jean Vigo's 'Taris'," by Bill Simon; "The Provincialism Problem," by Terry Smith; "Judy Chicago, Talking to Lucy R. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "An Interview with James Rosenquist," by Jeanne Siegel; "Derealized Epic," by Lawrence Alloway; "Kandinsky and Abstraction," by Rose-Carol Washton Long; "Ryman, Marden, Manzoni: Theory, Sensibility, Mediation," by Robert Pincus-Witten; "Russia's Underground Art Market," by Sybil Schwarz; "An Interview with Anthony Caro," by Phyllis Tuchman; "Caro's New Sculpture," by Walter D. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by John Coplans. Essays "Bruce Nauman: Another Kind of Reasoning," by Robert Pincus-Witten; "An Interview with John Chamberlain," by Phyllis Tuchman; "On Chamberlain's Interview," by Barbara Rose; "The Futurist Campaign," by Max Kozloff; "Meditations Around Paul Strand," by Hollis Frampton; "Minneapolis: Burgoyne Diller," by Robert Pincus-Witten; "Richard Diebenkorn: Cloudy Skies over Ocean Park," by Jerrold Lanes; "Drawing and the True Rodin," by Albert Elsen; "Mondrian and the Issue of Relationships," by William C. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "Alice's Head: Reflections on Conceptual Art," by Jack Burnham; "City vs. Country: The Rural Image in French Painting," by Robert L. Herbert; "Uses and Misuses of the Recent Past," by Gabriel Laderman; "Wittgenstein's Archictecture," by Herbert Leitner; "Richard Tuttle," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
