Issue edited by John Coplans. Essays "Camera Lucida/Camera Obscura," by Annette Michelson; "Eisenstein on Mayakovsky," by Sergei Eisenstein; "Stan Brakhage: Four Films," by Paul Arthur; "The Third Meaning: Notes on Some of Eisenstein's Stills," by Roland Barthes; "'Scenes From Under Childhood,'" by Phoebe Cohen; "For God and Country," by Noël Carroll; "Montage 'October': Dialectic of the Shot," by Rosalind Krauss; "'Western History' and 'The Riddle of Lumen,'" by Fred Camper; "Stan and Jane Brakhage, Talking," by Hollis Frampton; "Brakhage Filmography," by Joyce Rheuban. ... [details]
Tenth Anniversary Issue edited by John Coplans. Essays "Network: The Art World Described as a System," by Lawrence Alloway; "The Trouble with Art-as-Idea," by Max Kozloff; "Talking at Pomona," by David Antin; "A View of Modernism, " by Rosalind Krauss; "Notes on Patronage: the 1960s," by Francis V. ... [details]
Issue edited by John Coplans. Essays "Jo Baer: Notes on 5 Recent Paintings," by Carter Ratcliff; "Utopia/Anti-Utopia," by Leon Golub; "Keith Sonnier: Video and Film as Color-Field," by Robert Pincus-Witten; "Richard Serra: Sculpture Redrawn," by Rosalind Krauss; "An Interview with Composer Steve Reich," by Emily Wasserman; "London: Roeluf Louw," by Kenneth Baker; "Grids," John Elderfield; "The Films of Harry Smith," by P. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "Helen Frankenthaler," by Barbara Rose; "The Essential David SMith, Part II," by Rosalind Krauss; "Willem de Kooning," by Walter Darby Bannard; "Notes on Sculpture, Part IV: Beyond Objects," by Robert Morris; "The Sculpture of Jules Olitski," by Kenworth Moffett; "Jack Burnham and Terry Fenton: An Exchange," "Caro in London," by Jane Harrison Cone. ... [details]
Issue edited by Philip Leider. Essays "Dada, Surrealism and their Heritage," "1. A Beautiful Exhibition," by Philip Leider; "2. The Surrealist Emigres in New York," by Irving Sandler; "3. Surrealist Composition: Surprise Syntax," by Ellen Mandelbaum; "Judd at the Whitney," by Jane Harrison Cone; "On Frontality," by Rosalind E. ... [details]
"OCTOBER: The First Decade, 1976 - 1986 brings together a selection of some of the most important and representative texts, many from issues long out of print, that have appeared in one of the foremost journals in art criticism and theory. ... [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp. Special issue focusing on photography. Text by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp. Essays "Panorama of the 19th Century," by Dolf Sternberger; "Einstein on the Beach: The Primacy of Metaphor," by Craig Owens; "Double Visions," by Amy Taubin; "Notes for Rameau's Nephew," by Michael Snow; "Notes on the Index: Seventies Art in America (Part 2)," by Rosalind Krauss; "Feast," by Keith Cohen; "Narcissism and Modern Culture," by Richard Sennett; "Light Touch," by Robert Whitman. [details]
An anthology of writing on modernism edited by Brian Wallis and foreword by Marcia Tucker. Includes essays by Kathy Acker, Roland Barthes, Jean Baudrillard, Walter Benjamin, Jorge Luis Borges, Benjamin H. ... [details]
