"Bruce Brooks Pfeiffer presents a narrative in correspondence from the 'Guggenheim Letters,' a remarkable archive that, in its entirety, would make a stack equal in height to the model of the Guggenheim Frank Lloyd Wright made in 1946. ... [details]
Critical history of the art scene in San Francisco between 1945 and 1995 by Thomas Albright. Artists include Thomas Albright, George Abend, Arlo Acton, Ann Adair, Lee Adair, Mark Adams, Tom Akawie, James Alberson, Maxine Labro, Robert Alexander, William Allan, Boyd Allen, Gary Allen, Jesse Allen, John Almond, Alex Anderson, David Anderson, Jeremy Anderson, Steven Andresen, Ruth Armer, Victor Arnautoff, Robert Arneson, Ruth Asawa, Olive Ayhens, Heléne Aylon, Mowry Baden, Jennifer Badger, Martin Baer, Clayton Bailey, Jerrodl Ballaie, Joel Barletta, Carroll Barnes, Matthew Barnes, Raymond Barnhart, John Battenberg, John Baxter, Bruce Beasley, Paul Beattie, Mona Beaumont, Robert Bechtle, Scott Bell, Cleveland Bellow, Jordan Belson, Fletcher Benton, Elio Benvenuto, Richard Berger, Henrietta Berk, Wallace Berman, Roger Berry, David Best, Bernice Lee Bing, Elmer Bischoff, Sue Bitney, Ed Blackburn, Ronald Bladen, Dianne Blell, J. ... [details]
Exhibition catalogue published in conjunction with show "Fluxus etc. / The Gilbert and Lila Silverman Collection," held September 28 - October 30, 1983. Curated by Jon Hendricks. Introduction by Jay Belloi. ... [details]
Exhibition catalogue published in conjunction with show held January 13 - February 13, 1983. Curated and with essay by Cynthia Charters and L. Price Amerson. Artists include Bruce Nauman, William Allan, Robert Arneson, Jerrold Ballaine, Richard C. ... [details]
The famous critical text by Michel Foucault. Translated and edited by James Harkness. Illustrations by René Magritte. Includes list of plates, notes, and index. Printed in black-and-white. [details]
Produced in conjunction with an exhibition at the University Art Gallery - Taylor Hall, California State University, Chico, from March 22 - April 22, 1982. Alice Hutchins' sculptures are constructed from a myriad of magnets and magnetizable steel, including bearings, washers, springs, rods and bushings, and they insist upon the physical involvement of the viewer. ... [details]
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract impressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. ... [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
Issue edited by Joseph Masheck. Essays "Mark Tobey's Paintings of New York," by Fred Hoffman; "The Language of Forms and Colors," by Andréi B. Nakov; "Planar Straight Line and the Primary Plane," by Erik Saxon; "Snow-bound Camera," by Regina Cornwell; "Bernard Berenson, Twenty Years After," by James Beck; "The Big Show: The First Exhibition of the Society of Independent Artists, Part 2," by Francis Naumann; "Toward a Theory/Practice of Painting in France," by Paul Rodgers; "Books: On Reading Architecture," by Grahame Shane. ... [details]
Exhibition catalogue published in conjunction with four individual solo shows held at University Art Museum, University of California, Berkeley, California : "Daniel Buren," January 17 - February 18, 1979; "Robert Irwin," March 4 - April 29, 1979; "Carl Andre," May 23 - July 1, 1979; and "Maria Nordman," June 21, 1979. ... [details]
