![Journal [LAICA Journal]](/objects/images/s31760.jpg "Journal [LAICA Journal]")
Fall 1984 issue of Journal, edited by Lane Relyea. Contents include: "Judy Fiskin's Photographs," by Richard Armstrong; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Crepe de Chine," by Kim MacConnel; "Paragraphs Toward an Essay Entitled 'Restoration Comedies,'" by Howard Singerman; "A New-Found Career," by Martha Rosler; "Images That Understand Us: A Conversation with David Salle and James Welling;" "The Poltergeist," by David Askevold and Mike Kelley; "Pastel, Juice and Gunpowder: The Pico Iconography of Ed Ruscha," by Robert C. ... [details]
Exhibition catalogue published in conjunction with show held June 30 - August 14, 1984. Texts by Paul Taylor, Daniel Alexander Wasil. Artists include John Davis, John Dunkley-Smith, Marr Grounds, Lyndal Jones, John Nixon, Mike Parr, Redback Graphix and Stelarc. ... [details]
Exhibition catalogue published in conjunction with show held October 12 - December 2, 1984. Text by Janet Kardon, Irving Sandler, and Carlo McCormick. Artists in exhibition are Jean-Michel Basquiat, Gretchen Bender, Mike Bidlo, Keiko Bonk, Frederick Brathwaite, Arch Connelly, Claudia De Monte, John Fekner, Luis Frangella, Dan Friedman, Futura 2000, Rodney Alan Greenblat, Richard Hambleton, Keith Haring, E. ... [details]
Exhibition catalogue published in conjunction with show held at ICA, London, May 9 - June 24, 1984. Traveled to Kunsthalle, Basel, September 30 - November 4, 1984. Introduction by Jean-Christophe Ammann. ... [details]
![Journal [LAICA Journal]](/objects/images/s17608.jpg "Journal [LAICA Journal]")
Edited by Cindy Berry and cover by William Brice. Essays "Guy de Cointet, In Memorium," by unattributed artists; "History Repeats Itself, Part II," by unattributed artists; "Why I Go to the Movies Alone," by Richard Prince; "Representational Drawing Today," Phyllis Plous; "After the Revolution, Cuba in Photographs," by Emily Hicks; "Big Folks," by Suzanne Muchnic; "Is It Curtains for the T. ... [details]
![Journal [LAICA Journal]](/objects/images/s31759.jpg "Journal [LAICA Journal]")
Winter 1983 issue of Journal, edited by Michael Delgado. Contents include: "History Repeats Itself (Part I)," compiled by Frances Colpitt and Michael Delgado with assistance from Mitch Tuchman; "The Artist and Television," by Kathy Huffman; "On Meaning and Significance," by John Brumfield; "Art in Search of a Public," by Suzaan Boettger; "Interview: Henryk Grajewski," by Judith Hoffberg; "Artists Pages: Greg Colson, Jeff Colson;" and "Colson's Corner. ... [details]
Exhibition catalogue published in conjunction with show held at Stills, Edinburgh, August 19 - September 17, 1983. Traveled to Arnolfini, Bristol, September 24 - October 23, 1983; ICA, London, November 4 - December 18, 1983; Midland Group, Nottingham, January 7 - February 4, 1984; and Museum of Modern Art, Oxford, April 1 - May 27, 1984. ... [details]
Exhibition catalogue / artists' book published in conjunction with show held September 14 - October 15, 1983 and part of "Collaborations," a counterpoint to "ABHASA : Image - Bearing Light," held concurrently at the Fisher Gallery, University of Southern California, Los Angeles. ... [details]
Exhibition catalogue published in conjunction with show held at the Institute of Contemporary Art at the University of Pennsylvania in Philadelphia, October 15 - December 4, 1983; The Frederick S. Wight Gallery, University of California, Las Angeles, January 29 - March 4, 1984; The Contemporary Arts Museum, Houston, Texas, April 21 - June 3, 1984; and The Queens Museum, Flushing, New York, July 1 - September 9, 1984. ... [details]
![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
