Issue edited by Bice Curiger. Essays "Photographs By Wols," by Jan Thorn-Prikker; "Wacky Molière Lines: A Listener's Guide To Ed-Werd Rew-Shay," by Dave Hickey; "Standard Bullshit," by Dennis Hopper; "Edward Ruscha: A Distant World," by Alain Cueff; "The Mnemonic Book: Ed Ruscha's Fugitive Publications," by John Miller; "Against Type: The Silhouette Paintings Of Edward Ruscha," by Christopher Knight; "Tony Cragg: Darking Light," by Lynne Cooke; "'I Hate To Think' The New Paintings Of Julian Schnabel," by Brooks Adams; "Les Infos Du Paradis: Parkett Inquiry, The Artist As A Model Sufferer?," by unattributed artists; "Cumulus From America," by Lucio Pozzi; "Cumulus Aus Europa," by Bernard Blistène; "Balkon: Sigmar Polkes Thermosensible Wandmalerei," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Carsten Höller - Getting Real," by Michelle Nicol; "Juan Muñoz and the Specularity of the Divided Self," by Lynne Cooke; "The Art of Conversation," by Alexander Melo; "A Conversation, New York, 22 January 1995," by James Lingwood and Juan Muñoz; "A Man in a Room, Gambling," by Gavin Bryars; "Breath," by Robert Creeley; "The Evolution of the Horse," by Ingrid Schaffner; "Paintings as an Immense Feeling," by Jean-Christophe Ammann; "Essential Hesitations," by Mark Stevens; "On Walking and Working. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Issue edited by Bice Curiger. Essays "Marie José Burki: Das Zittern der Dinge," by Daniel Kurjakovic; "Peter Hujar," by Nan Goldin; "Vija Celmins: Material Fictions," by Nancy Princenthal; "Night, Sleep, Death and the Stars," by Jim Lewis; "Vija Celmins in conversation with Jeanne Silverthorne," by Vija Celmins; "Vija Celmins' Play of Imitation," by Richard Shiff; "On the Melancholy of Vantage Points," by Jean-Pierre Criqui; "Andreas Gursky: Painter of New Theaters of Action," by Jacqueline Burckhardt; "Brasilia: Vanishing Points," by Neville Wakefield; "How Familiar is it?," by Collier Schorr; "Guess Who's Coming to Dinner," by Alexandre Melo; "Forget about the Ball and Get on with the Game," by Liam Gillick and Rirkrit Tiravanija; "En route," by Richard Flood and Rochelle Steiner; "Micromegas," by Lynne Cooke; "The Trap Slams Shut: Andreas Slominski," by Noemi Smolik; "Jean Painlevé and Mark Dion; "A Wordscape. ... [details]
Issue edited by Bice Curiger. Essays "Eye And I: Bill Viola's Double Vision," by Michael Nash; "Spleen And Ideal," by Stephen Ellis; "Tim Rollins," by Tim Rollins + K.O.S.; "Can These Ruins Live?," by Marshall Berman; "Dialogue 5," "Edition For Parkett," by unattributed artists; "'We Make The Future Tense,'" by Trevor Fairbrother; "Statements," by unattributed artists; "Space Travel With Trisha Brown," by Klaus Kertess; "Les Infos Du Paradis: Architecture by Herzog & De Meuron," by Theodora Vischer / Jacques Herzog; "Cumulus From Amerika," by Joan Acocella; "Cumulus Aus Europa," by Dieter Schwarz; "Balkon: Getting It Exactly Wrong, Andy's Kindergarten From Connoisseurs," by Dave Hickey. ... [details]
![Bericht über den künstlerischen schmuck im neubau der Börse Zürich : im auftrag des kantonalen Hochbauamtes und des Effektenbörsenvereins, 1992 [ Report on the artistic decoration in the new building of the Zurich Stock Exchange: commissioned by the Cantonal Building Construction Office and the Securities Exchange Association, 1992 ]](/objects/images/s39513.jpg "Bericht über den künstlerischen schmuck im neubau der Börse Zürich : im auftrag des kantonalen Hochbauamtes und des Effektenbörsenvereins, 1992 [ Report on the artistic decoration in the new building of the Zurich Stock Exchange: commissioned by the Cantonal Building Construction Office and the Securities Exchange Association, 1992 ]")
Artist's book by Peter Fischli and David Weiss, edited by Hans-Ulrich Obrist. Features images photographed by Niklaus Spoerri, of the installation of works by Fischli and Weiss in the new building of the Zurich Stock Exchange, commissioned by the Cantonal Building Construction Office and the Securities Exchange Association. [details]
Exhibition catalogue / artist's book produced in conjunction with exhibition held January 29 - Mar. 4, 1978. [details]
![Five Texts [5 Texts]](/objects/images/s25423.jpg "Five Texts [5 Texts]")
Artist's book by Daniel Buren consisting of writing by the artist. Includes color diagrams, list of errata and additions, and a bibliography. All text in English. [details]
Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts) was the third artist's book conceived by John Baldessari consisting of fourteen loose sheets. Twelve pages document photographically the artist's attempts to throw three orange balls in the air to form a straight line, the best of thirty-six attempts [thirty-six being the length of a roll of color photographic film]. ... [details]
Issue edited by Bice Curiger. Essays "Richard Prince: Notes Toward A Supreme Fiction," by James Lewis; "Real Monochrome Images," by Helmut Friedel; "Time Of Painting, Time Of Representation," by Ulrich Loock; "Franz Gertsch," by I. ... [details]
