Parachute magazine of contemporary art, 29th issue released Winter 1982-1983. Essays include: "The Enduring of the Artsystem," by Gary Kibbins; "Deassaisissement et Réappropriation : De L'émergence du "Photographique" dans l'art Américain," by Guy Bellavance; "Colour Video/ Vulgar Potential," by Peggy Gale; "Colin Campbell," interview by Peggy Gale; "L'éloquence des Moyens: Aperçu des Peintures de Jean-Marie Martin," by Paul-Albert Plouffe; "Andrew Jackson," by Stephen Horne; "Mirrorings," by V. ... [details]
Exhibition catalogue published in conjunction with show held July 12 - November 6, 1978, organized by Centre Georges Pompidou. Essays by Pontus Hulten, Werner Spies, Günter Metken, Christian Derouet, Eduard Beaucamp, Gabriele Linnebach, Paul Vogt, Max Imdahl, Krisztina Passuth, Michel Giroud, Hanne Bergius, Eberhard Roters, Uwe M. ... [details]
Issue edited by Bice Curiger. Essays "Playing Pinball. Erwin Wurm's Concept of Sculpture," by Roland Wäspe; "No Exit," by David Deitcher; "A Short History of the blp," by Ingrid Schaffner; "Authentic Imitations of Genuine Replicas," by Kurt W. ... [details]
Issue edited by Bice Curiger. Contents include: "If We Had to Ask Permission, We Wouldn't Exist: A Brief Account of UbuWeb," by Kenneth Goldsmith; "Still Seeking: Esalen and the New New Age," by Suzanne Hudson; "Louise, Louise, Please, Please Me Louise," by Tracey Emin; " Bad Mother of Them All," by Robert Storr; "Seeing Red: Drawing Life in Recent Works on Paper of Louise Bourgeois," by Griselda Pollock; "Magic Realism," by Catherine Wood; "The Hero with a Thousand Faces," by Massimiliano Gioni; "A Real Allegory and the Origins of the World," by Adam Szymczyk; "Enigmarelle - The Statuesque," by Richard Hawkins; "All Dressed Up," by Ina Blom; "Mind the Gap," by George Baker; "(Un)Natural Selection," by Allison M. ... [details]
Issue edited by Bice Curiger. Contents include: "Richard Hawkins: Infinitely Desired," by Philipp Kaiser; "The Best-Laid Plans: On Accidentally Not Reading Tomma Abts," by Suzanne Hudson; "Some Similarities," a conversation between Tomma Abts and Vincent Fecteau; "Choosing to Choose," by Jan Verwoert; "In Your Eyes," by Johanna Burton; "The Paperwork of the Poor," by Elisabeth Lebovici; "Different Subjects, Same Terrain," by Lynne Cooke; "Crystal Futures," by Maria Gough; "Medium-Message," by Julien Fronsacq; "For a Set of Abandoned Futures," by John Miller; "Is Art Criticism Fifty Years Behind Poetry?" by Charles Bernstein; "Ei Arakawa: A Non-Administrative Performance Mystery," by Josef Strau; "Cumulus America," by Jens Hoffmann; "Cumulus Europa," by Hans Rudolf Reust; and "Balkon," by Philip Ursprung. ... [details]
Exhibition catalogue published in conjunction with show held September 13 - October 29, 1994. Forward by Markus J. Löw. Curated by William C. Agee, with assistance by Rachel Davis, Lisa A. Ellis, Yasmin C. ... [details]
Exhibition catalogue published in conjunction with show held October 23 - December 15, 2000. Essays by Catherine Tedford, Gary D. Sampson and Esther Parada, further contributions by Michael Hoffman, Mark C. ... [details]
Critical theory text by Robert E.L. Masters and Jean Houston discussing the prevalence of psychedelic drugs in art work. "The psychedelic artist is an artist whose work has been significantly influenced by psychedelic experience and who acknowledges the impact of the experience on his work. ... [details]
Periodical edited by Matthew Booth, Jonah Gray and Sacha Hurley. Contributions by Candice Hopkins, Paul Chan, Allyson Clay, Elspeth Pratt, Melanie O'Brian, Christian Kliegel, Clint Burnham, Ron Tran, Arni Haraldsson, Dan Starling, Eddie Berrigan, Mike Hauser, Weldon G. ... [details]
Issue edited by Jeffrey Shero. Contents include "Echoes in the Asylum," by Jeff Shero; "South of the Border: Banditos O Guerrilleros?," by unattributed artists; " 'We Want Jobs... or Else!,' " by unattributed artists; "The Pharmaceutical Industry: Drug Abuse Dealing is Profitable," by unattributed artists; "Selective Service: Double Jeopardy, The Second Time Around," by Thomas DeBaggio; "And in Texas They Sill. ... [details]