Magazine of New Music. Essays: "Edito," by David LL Laskin; "The Committe to Limit Applause: Stop the Clap!" by R.I.P. Hayman; "Gregory Whitehead: Fingering Radio Bodies," by Jim Andrews; "Sampling Heaven and Hell," by Steven Silverstein; "Wilfred Mellers: Critic in a New Found Land," interview by Mark Lockett; "Musicians (be)Rate, The Critics"; "Requisite Misgivings On Pain of Truth," by David Weinstein; "Take My Advice!" by David Liebman, Anthony Davis, David Darling, Tina Davidson, Geoff Gordon, Linda Bouchard, Joel Chadabe and Diana Meckley; "Handy Hintsand Timely Tips: A Review of Kyle Gann," by Scott Johnson; "Goode Confessions," by Daniel Goode; "Virgil Thomson: You're The Tops!" by Anthony Tommasini; "Anthony Braxton: Play of Die," interview by David LL Laskin; "Laura Seaton," interview by Iris Brooks; "Chicago Old Style Jazz Festival," by Larry Birnbaum; "Goddess Festival," by Peggyann Wachtel; "Eareviews: Performances," by Jody Dalton, Harry Bott, Bob Banister, and Bruce Darby; "Eareviews: Records," by Brooke Wentz, Bob Bannister, Dana Perna, Andrew Caploe, Dean Suzuki, and Ted Panken; "Eareviews: Cassettes," by Charles S. ... [details]
Magazine of New Music. Edited by Iris Brooks. Essays: "Edito," by Iris Brooks; "Drum Machines: Rhythm for Sale," by John Loose; "The Beat And The Box," by David Moss; "Sticks On Stones: A Listener's Guide to Ethnic Percussion," by David Simons; "Spirit Catchers: Bullroarers And Other Ifos," by Darrel De Vore; "Ritual Rhythm: Afro- Carib Rites of Passage," by Damir Strmel; "Meet The Composer: Edwina Lee Tyler 'My Drum Is A Woman," by Iris Brooks with Barbara Pollitt; "Percussion Discussion: Han Bennink, Milford Graves, Joey Baron," by Gerry Hemingway; "Instruments: New, Old, and Unexpected," by Barbara Pollitt, Dean Drummond, Jody Kruskal, Yukio Tsuji, Jamey Haddad, Tiye Giraud and Admondylla Best; "San Frnacisco World Drum Festival," by John Loose; "Eareviews: Performances," by David Simons, Karen Campbell, Mark Lockett; "Eareviews: Records," by Andrew Caploe, Jim Macnie, Kevin Whitehead, Bob Bannister, and Neil Strauss; "Eareviews: CDs," by Dean Suzuki, Carle VP Groome, and Phil Harmonic; "Eareviews: Cassettes," by Charles S. ... [details]
Magazine of New Music. Essays: "Edito," by Iris Brooks, "Harris Skibell's Exchange: Barter and Bow," by Helen Thorington; "Vernacular Violins: Lesser-Known European Traditions," by Pandora Hopkins, "A Passage to India: The Violin Reincarnated," by Barbara Benary; "Jon Rose: The Relative Violin," by Charles S. ... [details]
January 15, 1951 issue of Life Magazine featuring article "Irascible Group of Advanced Artists Led Fight Against Show" with famed portrait of the group. The artists included Willem de Kooning, Adolph Gottlieb, Ad Reinhardt, Hedda Sterne, Richard Pousette-Dart, William Baziotes, Jimmy Ernst, Jackson Pollock, James Brooks, Clyfford Still, Robert Motherwell, Bradley Walker Tomlin, Theodoros Stamos, Barnett Newman, Mark Rothko, and three artists not pictured. [details]
Exhibition catalogue published in conjunction with show held September 13 - October 29, 1994. Forward by Markus J. Löw. Curated by William C. Agee, with assistance by Rachel Davis, Lisa A. Ellis, Yasmin C. ... [details]
Exhibition catalogue published in conjunction with show held March 9 - May 12, 1996. Essay by Peter Weiermair. Artists include Ajamú, Pep Agut, Dieter Appelt, Nobuyoshi Araki, Dominique Auerbacher, Aziz + Cucher, John Baldessari, Lewis Baltz, Oladélé Ajiboyé Bamgboyé, Ellen Brooks, Christopher Bucklow, Heinz Cibulka, Hannah Collins, Thomas Joshua Cooper, John Coplans, Gianluca Cosci, Gregory Crewdson, Hans Danuser, Lynn Davis, Max Dean, Thomas Demand, Stan Denniston, Rineke Dijkstra, Gerald Domenig, John Patrick Dugdale, Lukas Einsele, Jane Eisenmann, Olafur Eliasson, Barbara Ess, Alain Fleischer, Michel François, Adam Fuss, Jean Louis Garnell, Gilbert & George, Akira Gomi, Paul Graham, Angela Grauerholz, Andreas Gursky, Robert F. ... [details]
Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]