Issue edited by Jim Buckley. Essays "Screw You," by Jim Buckley; "Girl Ghoul Eats Dick for Christmas," by Earle Hollenbow; "Sex Scene," edited by Jerry Schneiderman; "Shit List," by Jim Buckley; "Raunchy Rejects," by Mal Adroit; "Fuckbooks: Old Bohemians Never Die, They Just Blather Away," by Michael Perkins; "Homosexual Citizen: Homo for the Holidays," by Lige and Jack; "Screw's Dirty Crossword Puzzle," by Dean Latimer; "Naked City," edited by Anthony Gambino; "Mail Order Madness," by John Milton. [details]
January 1973 issue of Art and Artists focusing on actions and performance. Edited by Colin Naylor. Text by Gregory Battcock, Klaus Honnef, William Packer, Eddie Wolfram, John Anthony Thwaites, and Lea Vergine. ... [details]
Single folded sheet, artist's project by Allen Ruppersberg published in conjunction with show which opened July 5, 1973. [details]
Single folded sheet, artist's project by Ger Van Elk published in conjunction with show that opened January 1, 1973. [details]
June 1973 issue of Flash Art, edited by Giancarlo Politi. Cover artwork, Proposal for Flash Art, 1973, by Sol LeWitt, an unique project for this issue of Flash Art. Contents include: artists' statements and images by Sol LeWitt, Cioni Carpi, Ray Johnson, Tadaaki Kuwayama, Franco Vaccari, Gabor Attalai, Les Levine, Zvi Goldstein, Marco Gastini, Antonio Paradiso; "Agnes Martin," by Germano Celant; "La Mente Serena [The Untroubled Mind]," by Agnes Martin / Ann Wilson; "Tom Sawyer o Del Socialismo Realista," by Gianni-Emilio Simonetti; and "Bochner," an interview with Mel Bochner by L. ... [details]
Reproductions of three original manuscripts created in Reykjavic between 1966 - 1967. [details]
Issue edited by John Coplans. Essays "Robert Witz: Selections from the Tomah Letters," by Robert Witz; "Before What Flowering? Thoughts on West Coast Art," by Peter Plagens; "Sound-Script Relations and the New Notation," by Annson Kenney; "Private Objects: The Sculpture of Kurt Schwitters," by John Elderfield; "Murals in New Mexico," by Eric Kroll; "The Jules Olitski Retrospective," by Joseph Masheck; "Biography of a Teaching Machine," by Craig Hodgetts; "On Daniel Buren," by Roberta Smith; "Function of the Museum," by Daniel Buren; "A Retrospective of Anthropological Film," by Paul S. ... [details]
Issue edited by John Coplans. Essays "Virility and Domination in Early 20th-Century Vanguard Painting," by Carol Duncan; "Strike at the Modern," interview between Lawrence Alloway, John Coplans, Susan Bertram, Jennifer Licht, Joan Rabenau, Jane Fluegel; "Ree Morton: At the Still Point of the Turning World," by Lucy Lippard; "The Dada Actor and Performance Theory," by Annabelle Henkin Melzer; "Richard Hamilton: The Two Culture Theory," by James Collins; "Lee Krasner's Paintings, 1946-49," by Cindy Nemser; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "Nature as Artifact: Alan Sonfist," by Robert Joseph Horvitz; "Residual Sign Systems in Abstract Expressionism," by Lawrence Alloway; "Sense and Sensibility," by Rosalind Krauss; "Ellsworth Kelly at the Modern," by Joseph Masheck; "The Rivera Frescoes of Modern Industry at The Detroit Institute of Arts: Proletarian Art Under Capitalist Patronage," by Max Kozloff; "Mary Miss," by Laurie Anderson; "Michael Snow's 'La Région Centrale'," by John W. ... [details]
Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
