Exhibition catalogue published in conjunction with show held at Staatliche Kunsthalle Baden-Baden, Germany, June 12 - August 29, 2010. Foreword by Karola Kraus. Text by Mark Godfrey. "Christopher Williams began his career in the late 1980s appropriating advertising imagery; more recently he has begun to mimic such imagery himself, or at least adapt its capacity for pristine presentation and technical precision. ... [details]
Exhibition catalogue published in conjunction with shows of Damien Hirst's spot paintings held from January 12 - February 18, 2012 at Gagosian Galleries New York, Beverly Hills, and London locations. Essay by Michael Bracewell. ... [details]
A conversation between Dan Graham and Hans Ulrich Obrist. Edited by Obrist. "Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. ... [details]
Double DVD set of videos featuring "Allegro Vivace," (2011) film about the exhibition at the Staatliche Kunsthalle in Baden Baden ; "The eye of the storm" (2005) film about the exhibition at the Guggenheim Museum, New York ; "Vit et travaille in situ" (2002) documentary about Daniel Buren's work from the beginning, through an interview with Pierre-André Boutang ; "Le Musée qui n'existait pas" (2002) documentary on the preparation of the 2002 exhibition at the Centre Pompidou in Paris ; "Les Deux Plateaux" (2002) art critic Guy Lelong analyses in 2002 Daniel Buren's public commission (1985-1986) at the Palais Royal in Paris ; "Daniel Buren / Jean Nouvel" (1994) excerpts from the conference conducted by Daniel Buren and Jean Nouvel on 11 April 1994 at the University of Tours ; "Watch the doors, please!" (1980) film shot by Daniel Buren documenting his intervention at the Art Institute of Chicago ; "One Year of Ballets in Manhattan" (1977 - 78) heretofore unseen Super-8 documents on performance in 12 parts by Daniel Buren filmed by Christopher D'Arcangelo in New York ; "Interruption" (1969) a series of 8 super-8 films with sound, by Daniel Buren, initially shown on a "Scopitone" player installed in 1969 in the Yvon Lambert gallery ; "Mexique" (1959) a documentary film directed by Daniel Buren ; "Couleurs superposées, Acte XIII" (2009) performance (1982 - 2009) re-enacted at the Metz-Métropole Opera Theatre during "Constellation" the Centre Pompidou-Metz's sneak preview event ; "Couleurs (version n°2)" (2002) original video work (1984 - 2002) re-enacted for the DVD. ... [details]
Exhibition catalogue published in conjunction with show held at Wiener Secession, Vienna, [December 2, 2011 - February 5, 2012]. Curated by Annette Südbeck. Edited by Annette Südbeck with Tina Lipsky. [details]
Exhibition catalogue published in conjunction with retrospective show held September 18, 2011–January 9, 2012. Edited and with text by John Elderfield. Additional text by Jim Coddington, Jennifer Field, Delphine Huisinga and Susan Lake. ... [details]
"Facsimile edition of Destroy All Monsters Magazine including remnants of the 'lost' seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw. ... [details]
"This limited edition is comprised of the Destroy All Monsters Magazine publication signed by the collective's original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Also included is an 8×10 silver print by Cary Loren and a small glycine baggie of dirt from God's Oasis–the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective's musical practice space. ... [details]
Three volume exhibition catalogue published in conjunction with exhibition of the work of Urs Fischer and Cassandra MacLeod held October 22 - November 12, 2011. Photographs on opening and closing pages by Urs Fischer. ... [details]
Monograph on the sculpture of Donald Judd as presented in his 1989 exhibition at the Staatliche Kunsthalle Baden-Baden. Essay by David Schiff. "One of the most important American artists of the post-war period, Donald Judd has come to define Minimalist art – a label he strongly objected to. ... [details]
