Issue edited by Ingrid Sischy. Essays "Stampede to the Figure," by Carter Ratcliff; "Gilbert & George: Shake Hands with the Devil," by Rosetta Brooks; "'On the Manner of Addressing Clouds,'" by Thomas McEvilley; "Just North of Modernism," by Kenneth Baker; "Broadway and 42nd Street in the Grass," photographs by Larry Fink; "Markus Raetz: Delusive Illusions," by Max Wechsler. ... [details]
Issue edited by Ingrid Sischy. Essays "Chasing Dreams: Victor Hitchcock and Alfred Burgin," by Jean Fisher; "Obsessive Pictures or Opposition to the Norm: Noteworthy Aspects of the Engaged Imagination in the New German Art," by Annelie Pohlen; "A Progression by Chuck Close: Who's Afraid of Photography?" by Chuck Close; "The Death of Semiotics (In Late Modern Architecture); The Corruption of Metaphor (In Post-Modernism); The Birth of the 'Punctum' (In Neomania)," by Douglas Davis; "Romare Bearden Sees in a Memory," by Myron Schwartzman; "Books: For Georges Remi/Hergé," by Frederic Tuten; "Free Speech," by Greil Marcus; "Forum," by Max Kozloff, Kay Larson, and Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. ... [details]
Issue edited by Ingrid Sischy. Essays "Bill Woodrow: Material Truths," by Mark Francis; "In the Heart of the Tinman. An Essay on John Chamberlain," by Duncan Smith; "A Project by Pontus Hulten and Jean Tinguely;" "Freeing Dance from the Web: On Collaboration, Trisha Brown's 'Set and Reset,' and 'Lucinda Childs' Available Light," by Thomas McEvilley; "Two Sides of the Brain: Molissa Fenley's Hemisphere's," by RoseLee Goldberg; "Up Rocking, Locking, Old Style, 1990 Moves," by Michael Holman; "Selected Funk Lessions: a project," by Adrian Piper; "A Use for Beauty," by Kenneth Baker; "Executioner's Song," by Greil Marcus; "Books: Gilles Deleuze on Francis Bacon," by Gilles Deleuze; "Forum," by Kate Linker. ... [details]
Exhibition catalogue published in conjunction with show held October 4, 1984 - January 6, 1985. Essays by Howard N. Fox, Miranda McClintic and chronology by Phyllis Rosenzweig. Artists include Vito Acconci, Mac Adams, John Ahearn, Terry Allen, Carlos Almaraz, Laurie Anderson, Eleanor Antin, Siah Armajani, Richard Artschwager, Conrad Atkinson, Alice Aycock, John Baldessari, Robert Barry, Jean-Michel Basquiat, Lynda Benglis, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Derek Boshier, Louise Bourgeois, Troy Brauntuch, Marcel Broodthaers, Joan Brown, Roger Brown, Chris Burden, Victor Burgin, Scott Burton, Jo Ann Callis, Peter Campus, Henry Chalfant, Louisa Chase, Sandro Chia, Francesco Clemente, Robert Colescott, Enzo Cucchi, Donna Dennis, Jane Dickson, Jiri Georg Dokoupil, Bernard Faucon, Rafael Ferrer, Eric Fischl, Vernon Fisher, Hamish Fulton, Charles Garabedian, Gilbert & George, Leon Golub, Robert Graham, Denise Green, Philip Guston, Hans Haacke, Keith Haring, Helen Mayer Harrison, Newton Harrison, Mariusz Hermanowicz, Nancy Holt, Jenny Holzer, Douglas Huebler, Jörg Immendorff, Neil Jenney, Anselm Kiefer, Edward Kienholz, Nancy Reddin Kienholz, Ken Kiff, Alain Kirili, Komar & Melamid, Joseph Kosuth, Jannis Kounellis, Barbara Kruger, Thomas Lanigan-Schmidt, Jean Le Gac, Les Levine, Sherrie Levine, Richard Long, Robert Longo, Markus Lupertz, Carlo Maria Mariani, Gordon Matta-Clark, Mario Merz, Duane Michals, Malcolm Morley, Ree Morton, Robert Moskowitz, Bruce Nauman, Hermann Nitsch, Isamu Noguchi, Jim Nutt, Dennis Oppenheim, Tom Otterness, Nam June Paik, Mimmo Paladino, Esther Parada, Ed Paschke, A. ... [details]
Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Doisneau's 'Oblique Regard,'" by Max Kozloff; "A Project by Giuseppe Penone"; "'The Other,'" by John Bernard Myers; "'Jiri Georg Dokoupil: The Imprisoned Brain," by Rainer Crone; "A Project by Robert Graham"; "Diogenes of Sinope (ca. ... [details]
Exhibition catalogue published in conjunction with show held in 1983. Essay by Jean Fisher. Includes exhibition history, selected bibliography and biography. [details]
