An oversized newspaper documenting the print edition of the same name. Edited by Andrew Castrucci and Nadia Coën. Includes contributions and additional writings / illustrations by the editors, Paul Castrucci, Kostas Gounis, Miguel Algarín, Manon Briere, Chris Burden, Steven Cannon, Max Cantor, Monty Cantsin, Betzaida Concepcion, Martha Cooper, Jane Churchman, Yolanda Crespo, Dar, Daze, Eric Drooker, Joan Ellis, John Farris, John Fekner, Erik Freeman, Chico Garcia, Eduardo Galeano, Allen Ginsberg, Day Gleeson / Dennis Thomas, Kostas Gounis, David Hammons, Nathaniel "Junior" Hunter, Corrine Jennings, Hettie Jones, Jonathan Leake, Tom McGlynn, Marlis Momber, Frank Morales, Cookie Mueller, Maurice Narcis, Andrea Neumann, Pedro Pietri, John Pitts, Wes Power, Public Enemy, Adam Purple, Lee Quinones, John Ranard, Willie Right, Bimbo Rivas, Rivington School, Laurie Rizzo, James Romberger, Joel Rose, Sane, Andres Serrano, Walter Sipser, Neil Smith, Dan Tesser, Anton Van Dalen, Joshua Whalen, Marguerite Van Cook, Bruce Witsiepe, Krzysztof Wodiczko, David Wojnarowicz, Martin Wong and others. [details]
Contributions by Oren Slor, Matthew Higgs, Paul Thek, Raymond Pettibon, Sam Gordon, Rene Santos, Lily van der Stokker, B. Wurtz, Jesse Bransford, Ernst Toch, David Moreno, Kay Rosen, Ricci Albenda, David Robbins, General Idea, Anthony Campuzano, Chris Burden, David Malek, Larry Clark, Alghiero E. ... [details]
Exhibition catalogue published in conjunction with show held at the Frankfurter Kunstvereins, September 30 - November 26, 1995. Essays by Wilfried Wiegand and Peter Weiermair. Artists in the exhibition include Berenice Abbott, Ansel Adams, Manuel Alvarez Bravo, Diane Arbus, Eugène Atget, Richard Avedon, Maurice Beck, Helen MacGregor, Hans Bellmer, Ruth Bernhard, Werner Bischof, Erwin Blumenfeld, Margaret Bourke-White, Brassaï, Anne Brigman, Francis Brugiuère, Robert Capa, Jewgeni Chaldej, Paul Citroen, Alvin Langdon Coburn, John Coplans, Imogen Cunningham, Fred Holland Day, Robert Demachy, Minya Diéz-Dührkoop, Robert Doisneau, Frantisek Drtikol, Harold Edgerton, William Eggleston, Gerard Pieter van Elk, Ed van der Elsken, Hugo Erfurth, Andreas Feininger, Larry Fink, Robert Frank, Mario Giacomelli, Ralph Gibson, Baron Wilhelm von Gloeden, Jan Groover, Hervé Guibert, Ernst Haas, Fritz Henle, Hugo Henneberg, Lewis Wickes Hine, Oscar Hofmeister, Theodor Hofmeister, Emil Otto Hoppé, Peter Hujar, Alfredo Jaar, Bill Jacobsen, Gertrude Käsebier, André Kertész, William Klein, Barbara Klemm, François Kollar, Josef Koudelka, Germaine Krull, Heinrich Kühn, Jacques-Henri Lartique, Erna Lendvai-Dircksen, Felix H. ... [details]
Exhibition catalogue published in conjunction with show held January 20 - April 9, 1975. Curated by John Hanhardt, Barbara Haskell, James Monte, Elke Solomon, and Marcia Tucker. Foreward by Tom Armstrong, director of the Whitney Museum. ... [details]
"This book Inaugurates Artadia's Biennial Publications Program and features a complete two-year awards cycle through all five Artadia program cities during 2008 and 2009." -- publisher's statement. Texts by Franklin Sirmans, Andrea Barnwell Brownlee, Jen Mergel, Stephanie Smith, Michelle White and René de Guzman. ... [details]
Catalogue published in honor of the Storm King Art Center. Text by John Beardsley, with a foreward by J. Carter Brown, and an introduction by H. Peter Stern. Photographs by David Finn. Artists featured in the publication include Douglas Abdell, Saul Baizerman, Max Bill, Louise Bourgeois, Alexander Calder, Anthony Caro, Dorothy Dehner, Mark Di Suvero, Herbert Ferber, Richard Friedberg, Charles Ginnever, Emilio Greco, Robert Grosvenor, Gilbert Hawkins, Barbara Hepworth, Jim Huntington, Meashe Kadishman, Lyman Kipp, Jerome Kirk, Grace F. ... [details]
Exhibition catalogue published in conjunction with show held January 12-March 30, 1986. Contributions by Sam Hunter, James D. Robinson, Elliot B. Barnett, George Bolge, Harry F. Gaugh, Robert C. Morgan, Richard Sarnoff, Malcolm Daniel, Karen Koehler and Kim Levin. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by John Coplans. Essays "Inside the White Cube, Part II: The Eye and the Spectator," by Brian O'Doherty; "Notes on Small Sculpture," by Carter Ratcliff; "Jewish Art and the Modernist Jeopardy," by Max Kozloff; "Jasper Johns's New Paintings," by Jeff Perrone; "Drawing Now (and Then), By Roberta Smith; "The Indigenous Vision of Manual Alvarez Bravo," by A. ... [details]
Issue edited by Ingrid Sischy. Essays "Corporate Arcadias: Green Thumbs and Gray Flannel," by Dan Graham and Robin Hurst; "Haim Steinbach's Wild Wild West: Serving Color on the Horizon," by Germano Celant; "Arms: Around Chet Baker," by Bruce Weber; "Kane's Welles: The Phantom of the Opus, Velásquez in Xanadu," by Brian O'Doherty; "Ventriloquism. ... [details]