Issue edited by Philip Leider. Essays "Harlequins, Saltimbanques, Clowns, and Fools," by Theodore Reff; "Picasso: Drawing as if to Possess," by Leo Steinberg; "Sonsbeek: Speculations, Impressions," by Kasha Linville; "Quality in Louis," by Barbara Rose; "The 'Art and Technology' Exhibition at the Los Angeles County Museum (Two Views) Corporate Art," by Jack Burnham; "The Multimillion Dollar Art Boondoggle," by Max Kozloff; "Keith Sonnier at the Modern," by Kenneth Baker; "Anglo-American Standard Reference Works: Acute Conceptualism," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "Toward Snow," by Annette Michelson; "Problems of Polychromy: Michael Bolus," by Michael Fried; "An Interview with Don Judd," by John Coplans; "Drawing in Cézanne," by John Elderfield; "Touch and Scale: Cubism, Pollock, Newman, Still," by Walter D. ... [details]
Issue edited by Philip Leider. Essays "On the Liberation of Architecture," by Melvin Charney; "The Panama Canal and Some other Works of Work," by Joseph Masheck; "Recent Paintings by Joan Snyder," by Marcia Tucker; "An Interview with Robert Ryman," by Phyllis Tuchman; "Christopher Wilmarth: A Note on Pictorial Sculpture," by Robert Pincus-Witten; "On Constructivism," by John Elderfield; "Five Photographs," by Diane Arbus; "The Art of Maurice Sendak," by Selma G. ... [details]
Issue edited by Philip Leider. Essays "Cubist Object Treatment: A Perceptual Analysis," by Charles M. Rosenberg; "John Marin: Dynamism Codified," by Abraham A. Davidson; "Unveiling the Consort: Part II," by Jack Burnham; "An Interview with Herbert Ferber," by Phyllis Tuchman; "Peter Young: A Chronology of the Work," by Ellen H. ... [details]
Issue edited by Philip Leider. Essays "Looking at the Guggenheim International," by James Monte; "Ron Davis at Castelli," by John Elderfield; "Unconventional Realists, Part II: Sculpture," by Gabriel Laderman; "A Meditation on Painting," by Peter Plagens; "Sound Architecture," by Bernard Leitner; "A Conversation with Gene Davis," by Barbara Rose; "Unveiling the Consort, Part I," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Cubism in Los Angeles," by Rosalind Krauss; "German Painting of the 19th Century at Yale," by Kenworth Moffett; "The Language of Pre-Abstract Art," by John Elderfield; "West Coast Blues," by Peter Plagens; "Talking to Alan Shields," by Emily Wasserman; "The Sculpture of James Reineking," by Knute Stiles; "The Tradition of Escape-From-Tradition," by M. ... [details]
Issue edited by Philip Leider. Essays "The Art of Existence: Three Extra-Visual Artists," by Robert Morris; "A Conversation with Hans Hofmann," by Irma B. Jaffe; "Problems of Criticism, IX: Art and Technology," by Jack Burnham; "Was There a San Francisco School?," by Mary Fuller; "Joseph Raffael, Carlos Villa, Hank Gobin," by Emily Wasserman; "Jackson Pollock's Drawings," by Rosalind Krauss; "An Interview with Jack Tworkov," by Phyllis Tuchman. ... [details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]
