Issue edited by Rod Smith, cover by John Cage. Contents include "Art Is Either A Complaint Or Do Something Else," by John Cage; "from Post-Oblique Series, 1990," by John Byrum; "Species of Fit (My Red Room Hangs There)," "from Civil Noir," by Melanie Neilson; "Money," "Chapters of Verse," by Bob Perelman; "Renga and the New Sentence," by Tosa Motokiyu, Ojiu Norinaga, and Okura Kyojin; "Mimed," by Tyrus Miller; "from Draft X: Letters," by Rachel Blau DuPlessis; "Prosopagnosia," "East," by Elizabeth Robinson; "'Plainsong,'" "Responses to Some Questions," "subtracted words," by P. ... [details]
A collection of essays by Martha Rosler, Brian Wallis, Yvonne Rainer, Rosalyn Deutsche, Alexander Kluge, Richard Plunz, Christine Benglia Bevington, Marie Annick Brown, Allan Sekula, Tony Masso, Andrew Byard, Cenen, Dan Wiley, William Price, Camilo Jose Vergara, Mel Rosenthal, Dan Graham and Robin Hurst, photographic documentation, architectural information and more, pertaining to the theme of artist's efforts to engage with and improve issues in urban development such community housing and social equality. ... [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: David Sternbach on Blue Planet, Green Dollars," by David Sternbach; "Commedia Dell'Arte: A Project for Artforum," by Mark Alan Stamaty; "Slant: Thomas Crow on Being 'Economical with the Truth,'" by Thomas Crow; "Democracy, Inc. ... [details]
Issue edited by Ida Panicelli. Essays "The Public Eye: Stuart Ewen on the Gulf War, A Report from the Couch," by Stuart Ewen; "Real Life Rock: Greil Marcus' Top Ten," by Greil Marcus; "Commedia Dell'Arte: A Project for Artforum," by Charles Burns; "The Cave: Jeanne Silverthorne on Jonathan Demme's 'Silence of the Lambs,'" by Jeanne Silverthorne; "Media Kids: C. ... [details]
Issue number three of Movement Research : Performance Journal, guest edited by Tom Kalin. Contents include: "Gender Performance," by Tom Kalin; "Update from Movement Research," by Cathy Edwards, Richard Elovich, and Guy Yarden; "How Dance Artists & Critics Define Dance as Political," by Jill Johnston; "May Interviews June," by Peggy Shaw and Lois Weaver; "World's Greatest Cocksucker," by Chris Martin; "Programs"; "Faculty;" "The Dawns We Shanghied in Each Other's Arms, Exhausted," project by Powers of Desire; "Vicki and Daphne," by Cheryl Clarke; "Crash Body in Three Performative Fragments," by Critical Art Ensemble; "Untitled," by Donald Woods ; "She Killed a Deer," by Peter Bowen; "Gender Dismember: An Interview with Kate Bornstein," by Caroline Palmer; and "In Praise of Drag," by John Kelly. [details]
Exhibition catalogue published in conjunction with show held June 1991. Text by Domenico Scudero, Gabriele Perretta and Paolo Vitolo. Artists include Art & Language, Joseph Kosuth, Robert Barry, Lawrence Weiner, Dan Graham and Victor Burgin. [details]
Exhibition catalogue published in conjunction with show held June, 1991. Curated by Gregorio Magnani with texts by Dan Graham, Anne Rorimer, Benjamin H.D. Buchloh. Includes bibliography. Texts in Italian. [details]
![Dan Graham : Rooftop Urban Park Project [Pamphlet]](/objects/images/s366061.jpg "Dan Graham : Rooftop Urban Park Project [Pamphlet]")
Three hole punched brochure published in conjunction with Dan Graham's long-term installation "Rooftop Urban Park Project," at Dia Center for the Arts, New York City. Essay by Lynne Cooke. Includes a selected bibliography, brief biography of the artist and architects and a site map. [details]
![Dan Graham : Rooftop Urban Park Project [Pamphlet]](/objects/images/s36619.jpg "Dan Graham : Rooftop Urban Park Project [Pamphlet]")
Three hole punched brochure published in conjunction with Dan Graham's long-term installation "Rooftop Urban Park Project," at Dia Center for the Arts, New York City. Text by Lynne Cooke. Includes a selected bibliography, brief biography of the artist and architects and a site map. [details]
Artist Jeff Wall's critical interpretation of Dan Graham's conceptual art piece "Alteration to a Suburban House" and its implications. "Dan Graham's unrealized (and possibly unrealizable) project 'Alteration to a Suburban House' (1978), generates a hallucinatory, almost Expressionist image by means of a historical critique of conceptual art. ... [details]
