Exhibition flyer / announcement published in conjunction with the final show held at Tanager Gallery, 90 East 10th Street, New York, May 25 - June 14, 1962. Artists include Alcopley, Louise Bourgeois, Mark di Suvero, Elaine de Kooning, Willem de Kooning, Marisol Escobarl, Jane Freilicher, Helen Frankenthaler, Philip Guston, Red Grooms, Al Held, Angelo Ippolito, Alfred Jensen, Jasper Johns, Alex Katz, Louise Nevelson, Philip Pearlstein, Claes Oldenburg, Robert Rauschenberg, Ad Reinhardt, David Smith, Myron Stout, Irving Sandler, David Smith, Jack Tworkov, Tom Wesselmann, and many others. [details]
Poster illustrated by Claes Oldenburg advertising performance by the Aileen Passloff and Dance Company, January 20, 1962. Includes production credits which read "Music by Richard Maxfield - Designs by Claes Oldenburg, James Waring - Lighting by Nicola Cernovich - Musicians: Robert Dunn, Terry Jennings and La Monte Young - Dancers: Toby Armour, Peter Berry, Louis Falco, Barbara Lloyd, Gerard Martin, Claire Mesnard, Peter Randazzo" [details]
Press release published in conjunction with Jim Dine's first uptown solo show held January 9 - February 3, 1962. [details]
Two page press release published in conjunction with Jim Dine's first uptown solo show held concurrently at the Martha Jackson Gallery and the David Anderson Gallery, January 9 - February 3, 1962. [details]
Critical theory essay on new representational art by Rosalind Constable, dated February 1, 1962. The essay uses a December 31, 1962 article by Paul Berg from The St. Louis Dispatch as a jumping off point to discusses three artists working in representation: James Rosenquist and Roy Lichtenstein, mentioned by Berg, while Constable adds Andy Warhol to the conversation. ... [details]
Showbill for the 1962 season of plays staged at the Cherry Lane Theater in Greenwich Village. Introduction by Kermit Bloomgarden. Plays include: "Theater of the Absurd," by Samuel Beckett, directed by Alan Schneider: "Bertha," by Kenneth Koch, directed by Nicola Cernovich; "Gallows Humor," by Jack Richardson, directed by George L. ... [details]
Flyer promoting the second season at the Hall of Issues opening November 18, [1962] and events held at the Judson Memorial Church on Sundays. Events included displays of political, social and esthetic concerns, discussions, readings, films and musical presentations. [details]
Flyer / announcement published in conjunction with show held October 15 - November 2, [1962]. Profusely glittered edges. [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
Two page unpublished [?] text on the work of Jim Dine by Lawrence Alloway. [details]
