Two page press release published in conjunction with Jim Dine's first uptown solo show held concurrently at the Martha Jackson Gallery and the David Anderson Gallery, January 9 - February 3, 1962. [details]
Critical theory essay on new representational art by Rosalind Constable, dated February 1, 1962. The essay uses a December 31, 1962 article by Paul Berg from The St. Louis Dispatch as a jumping off point to discusses three artists working in representation: James Rosenquist and Roy Lichtenstein, mentioned by Berg, while Constable adds Andy Warhol to the conversation. ... [details]
Showbill for the 1962 season of plays staged at the Cherry Lane Theater in Greenwich Village. Introduction by Kermit Bloomgarden. Plays include: "Theater of the Absurd," by Samuel Beckett, directed by Alan Schneider: "Bertha," by Kenneth Koch, directed by Nicola Cernovich; "Gallows Humor," by Jack Richardson, directed by George L. ... [details]
Exhibition flyer / announcement published in conjunction with the final show held at Tanager Gallery, 90 East 10th Street, New York, May 25 - June 14, 1962. Artists include Alcopley, Louise Bourgeois, Mark di Suvero, Elaine de Kooning, Willem de Kooning, Marisol Escobarl, Jane Freilicher, Helen Frankenthaler, Philip Guston, Red Grooms, Al Held, Angelo Ippolito, Alfred Jensen, Jasper Johns, Alex Katz, Louise Nevelson, Philip Pearlstein, Claes Oldenburg, Robert Rauschenberg, Ad Reinhardt, David Smith, Myron Stout, Irving Sandler, David Smith, Jack Tworkov, Tom Wesselmann, and many others. [details]
Flyer promoting the second season at the Hall of Issues opening November 18, [1962] and events held at the Judson Memorial Church on Sundays. Events included displays of political, social and esthetic concerns, discussions, readings, films and musical presentations. [details]
Flyer / announcement published in conjunction with show held October 15 - November 2, [1962]. Profusely glittered edges. [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
Two page unpublished [?] text on the work of Jim Dine by Lawrence Alloway. [details]
Flyer / poster published in conjunction with show held March 23 - April 12, 1962. Artists included Robert Beauchamp, Nell Blaine, James Brooks, Charles Cajori, Giorgio Cavallon, Jean Cohen, Elaine de Kooning, Perle Fine, Jane Freilicher, Sidney Geist, Michael Goldberg, Sidney Gordin, John Grillo, Joseph Groell, Philip Guston, Alex Katz, Sally Hazelet, Angelo Ippolito, Ben Isquith, Corrado Marcarelli, Al Jensen, Lester Johnson, Joseph Stefanelli, Ibram Lassaw, William King, Nicholas Marsicano, Fred Mitchell, Joan Mitchell, George Ortman, Fairfield Porter, Philip Pearlstein, Milton Resnick, Raymond Rocklin, Ludwig Sander, Miriam Schapiro, Sal Sirugo, David Smith, George Spaventa, Richard Stankiewicz, Earl Kerkam, Jane Wilson, Albert Terris, Franz Kline, Jack Tworkov, and Esteban Vicente. [details]
Single fold program for the play "Man is Man" by Bertolt Brecht produced during the 1962-63 season at the Living Theatre. Directed and designed by Julian Beck. Includes biographies of the actors. [details]
