Exhibition catalogue published in conjunction with retrospective held at Kunsthalle Zuürich, Switzerland, January 15 - March 20, 2011. Edited and with a text by Beatrix Ruf. Additional text by Gregor Stemmrich. ... [details]
Exhibition catalogue published in conjunction with Mario Pfeifer's solo show "New Topographics" held at Landesgalerie Linz am Oberösterreichischen Landesmuseum, November 11, 2010 - January 9, 2011. With a conversation between Baltz and Pfeifer. ... [details]
"Lexicon is a facsimile cloth edition of an antiquarian Latin-Greek dictionary which the internationally celebrated South African artist William Kentridge (born 1954) has embellished with black ink drawings of what might seem at first to be animal silhouettes. ... [details]
A collection of essays about art by Chris Kraus. [details]
Exhibition catalogue published in conjunction with show held at the Palace of Versaille, France, September 14 - December 10, 2010. Text by Philippe Dagen, Jill Gasparina and Laurent Le Bon. Photographs by Cédric Delsaux. ... [details]
Artist's book of drawings by Silva Bächli with text by Jamaica Kincaid. [details]
Exhibition catalogue published in 2011 following a 2006 exhibition of the same name held at Jack Tilton Gallery in New York. Traveled to Roberts & Tilton, Los Angeles in 2007 with some changes. Edited by Connie Rogers Tilton and Lindsay Charlwood. ... [details]
Artist's book / exhibition catalogue and audio CD published in conjunction with "Concerto for Modern, Movie, and Pop Music for Ten Instruments and Voice" a concert by Stephen Prina held at Contemporary Art Museum St. ... [details]
Compendium of texts by art historian Joseph Masheck. [details]
"This limited edition is comprised of the Destroy All Monsters Magazine publication signed by the collective’s original members: Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Also included is an 8×10 silver print by Cary Loren and a small glycine baggie of dirt from God’s Oasis–the commune Mike Kelley and Jim Shaw lived in from 1974 to 1976 and which served as the collective’s musical practice space. ... [details]
