"Kant After Duchamp brings together eight essays around a central thesis with many implications for the history of avant-gardes. Marcel Duchamp, Thierry de Duve observes, made the logic of modernist art practice the subject matter of his work, a shift in aesthetic judgement that replaced the classical "this is beautiful" with 'this is art. ... [details]
Exhibition catalogue published in conjunction with show held at Hayden Gallery, MIT, Cambridge, MA, October 2 - December 24, 1981. Traveled to The Fort Worth Art Museum, Fort Worth, TX, September 11 - October 24, 1982; University of South Florida, Tampa, FL, November 12 - December 17, 1982; and Contemporary Arts Center, Cinncinnati, OH. ... [details]
Compendium of writings and projects for publication by Dan Graham, edited by Brian Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Brian Wallis' editor's galley proof of a compendium of writings and projects for publication by Dan Graham, edited by Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Compendium of writings and projects for publication by Dan Graham, edited by Brian Wallis. Essays include "My Works for Magazine Pages: 'A History of Conceptual Art;'" "Information: Conceptual Art / Magazines / The Sixties"; "Eisenhower and the Hippies"; "Side Effect / Common Drug"; "Homes for America"; "Schema (March 1966)"; "Information"; "Figurative"; "'Aspen': One Proposal"; "Income Piece"; "Subject Matter"; "Detumescence"; "Dean Martin / Entertainment as Theater"; "Past Future/Split Attention"; "The End of Liberalism"; "Rock My Religion"; "Punk as Propaganda"; "Performer / Audience / Mirror"; "New Wave Rock and the Feminine"; "Body Press"; "McLaren's Children"; "Performance and Stage Set"; "The Lickerish Quartet"; "Cinema"; "Theater, Cinema, Power"; "Public Space / Two Audiences"; "Gordon Matta-Clark"; "Alteration of a Suburban House"; "Art as Design"; "Video Design"; "Art in Relation to Architecture / Architecture in Relation to Art"; "Video View of Suburbia in an Urban Atrium"; "The City as Museum"; "Two Adjacent Pavilions"; "Corporate Arcadias"; "Pergola / Conservatory"; "Garden as Theater as Museum"; and "Children's Pavilion. ... [details]
Published in conjunction with the exhibition "Claes Oldenburg : Six Themes" held at the Institute of Contemporary Art, Boston, and the Hayden Gallery, Massachusetts Institute of Technology, Cambridge, January 16 - February 27, 1976. [details]
Artist's book by Bernd & Hilla Becher. Contains short introductory texts in English. [details]
"For Geert Lovink, interviews are imaginative texts that can help to create global, networked discourses not only among different professions but also among different cultures and social groups. Conducting interviews online, over a period of weeks or months, allows the participants to compose documents of depth and breadth, rather than simply snapshots of timely references. ... [details]
Critical theory by Oliver Grau. "Although many people view virtual reality as a totally new phenomenon, it has its foundations in an unrecognized history of immersive images. Indeed, the search for illusionary visual space can be traced back to antiquity. ... [details]