![Carl Andre Robert Barry Douglas Huebler Joseph Kosuth Sol LeWitt Robert Morris Lawrence Weiner [aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]](/objects/images/s4550.jpg "Carl Andre Robert Barry Douglas Huebler Joseph Kosuth Sol LeWitt Robert Morris Lawrence Weiner [aka : The Xerox Book, aka : Andre / Barry / Huebler / Kosuth / LeWitt / Morris / Weiner]")
Perhaps one of the most revered artists' publications of the 1960s, the "Xerox Book," published by dealers Siegelaub and Wendler is a xerox book in name only. Conceived by Siegelaub as an inexpensive artist's publication - each artist was afforded twenty-five pages [plus a cover / title page] to execute a site specific project for the publication. ... [details]
Two sided postcard printed as an announcement of a performance by Jan Dibbets in Amsterdam, May 9, 12, and 30, 1969. Text in English, French, German and Dutch. [details]
Conceptual catalogue for an exhibition that took place within the pages of Studio International, Vol. 180, No. 924 (July / August 1970). Introduction by Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. ... [details]
Being Weiner's first artists' book simply is enough recognition regarding how important this book is in establishing a trend in the history of artists' publications. Be there no doubt - this book is the Godfather of not just the contemporary artists' book - alongside Ruscha's "Twentysix Gasoline Stations" - but holds parental rights to much of the history of contemporary art in general. [details]
![Artist's Reserved Rights Sale Agreement [aka : The Artist's Reserved Rights Transfer and Sale Agreement]](/objects/images/s23275.jpg "Artist's Reserved Rights Sale Agreement [aka : The Artist's Reserved Rights Transfer and Sale Agreement]")
Early draft of Seth Siegelaub and Robert [Bob] Projansky's "The Artist's Reserved Rights Transfer and Sale Agreement." This draft dated January 30, 1971 and titled "Artist's Reserved Rights Sale Agreement," title would later change to "The Artist's Reserved Rights Transfer and Sale Agreement. ... [details]
This "Agreement form has been drafted by Bob Projansky, a New York lawyer, after my [Siegelaub] extensive discussions and correspondence with over 500 artists, dealers, lawyers, collectors, museum people, critics and other concerned people involved in the day-to-day workings of the international art world. ... [details]
![MARCH 1969 [aka : One Month]](/objects/images/s23314.jpg "MARCH 1969 [aka : One Month]")
Exhibition catalogue for exhibition that did not take place outside the printed catalogue. I.E. a purely conceptual exhibition. Each artist was provided with a single page within the catalogue, representing a single day in the month of March 1969. ... [details]
Poster, printed in red ink, announcing exhibition by Pierre Clerk opening at Seth Siegelaub's gallery at 16 West 56th Street, New York, on April 5, 1966. Poster design by Clerk. Not documented in Seth Siegelaub : Beyond Conceptual Art. ... [details]
Two-sided picture postcard issued in conjunction with show held May 19 - June 19, 1969. Features image of the Mall of Simon Fraser University on recto and text on verso. Modified by Kosuth as a readymade by the addition of three lines of typescript:
VIII.
...
[details]
Artist's book by Dibbets, published jointly by König and Seth Siegelaub. Text by Dibbets in English, Dutch, French and German. "At the beginning of March, 1969, I decided to change a robin's territory, so that the bird would fly and control my sculpture-drawing. ... [details]
