Documents the work of André Cadere from 1971-1978. Text and essays by Karola Grässlin, Astrid Ihle, Fabrice Hergott, and Alexander von Grevenstein. "Best known for his 1970s Barres de bois rond, wooden bars made of painted cylindrical segments, Cadere regularly upended the status quo by bringing his staff-like sculptural works to openings for other artists that he admired or was close to, such as Robert Ryman or Barnett Newman--whether he was invited to do so or not. ... [details]
Issue edited by Bice Curiger. Contents include: "Jay Sanders Reads John Knight," by Jay Sanders and John Knight; " "Coexistence, Yes, Equivalence, No." Francesco Bonami in conversation with H.D. Buchloh; "What Do You Plan to Do Next?," John Baldessari in conversation with James Welling; "Revealing Concealing," by Rainer Fuchs; "With Baldessari's Marilyn," by Alexander van Grevenstein; "The Problem with Library Taxonomy," Carol Bove in conversation with Philip Smith; "The Wormhole Theory," by Martin Herbert; "Style and Pastiche," Carol Bove in conversation with Bettina Funcke; "Shadow Play,"by Tom McDonough; "About Overlapping Cultural Histories of Production in Art, Design, and Fashion," by Josiah McElheny in conversation with Lynne Cooke; "Play and Display," by Branden W. ... [details]
