Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf im Ehrenhof, February 1998; P. ... [details]
Exhibition catalogue published in conjunction with show held at The Jewish Museum San Francisco, San Francisco, March 7 - June 27, 2004. Traveled to Laguna Art Museum, Laguna Beach, July 24 - October 3, 2004; and Contemporary Art Center of Virginia, Virginia Beach, June 9 - September 4, 2005. ... [details]
Exhibition catalogue published in conjunction with show held at Haus der Kunst, Munich, August 3 - December 10, 1997. Traveled to Nationalgalerie SMPK, Berlin, December 1997 - January 1998; Kunstmuseum Düsseldorf in the Ehrenhof, February 1998; P. ... [details]
Exhibition catalogue published in conjunction with the inaugural iteration of the quinquennial exhibition "Greater New York" held February 27 - May 14, 2000. The exhibition marked the first curatorial collaboration between PS. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Issue edited by Ingrid Sischy. Essays "In Search of Religion," by Komar and Melamid; "Three Oblique Situations," by Nicolas Calas; "Peggy Guggenheim," by Marie Cosindas; "Marcel Broodthaers: Allegories of the Avant-Garde," by Benjamin Buchloh; "Ree Morton," by Mary Delahoyd; "Editorial Comment," by Ingrid Sischy; "Essential Differences: A Comparison of the Portraits of Lisette Model and Diane Arbus," by Shelley Rice; "Books: 'Lisette Model: An Aperture Monograph'," by Ronny H. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ingrid Sischy. Essays "Editorial: An Appreciation of H.C. Westermann; "Parody and Appropriation in Francis Picabia, Pop, and Sigmar Polke," by Benjamin H.D. Buchloh; "Approaching the Abyss: Monet's Era," by Roger Shattuck; "Strangers in a Strange Land: Timothy O'Sullivan and Henry Adams," by Colin Westerbeck; "Scattered Pictures: The Movies of Werner Schroeter," by Gary Indiana; "Looking Up at Jeff Wall's Modern 'Appassionamento,'" by Donald Kuspit; "Clay and Bronze," a project by Lucas Samaras; "Books: Robert Kushner on 'Man as Art,'" by Robert Kushner. ... [details]
Issue edited by Ingrid Sischy. Essays "Melodramatic Tactics," by Kate Linker; "Swallowing Dali," by Carter Ratcliff; "Thieves Like Us," by Judith Russi Kirshner; "Allegorical Procedures: Appropriation and Montage in Contemporary Art," by Benjamin H. ... [details]
