Exhibition catalogue published in conjunction with show held by The Marie Walsh Sharpe Art Foundation at Ace Gallery in New York, May 17 to June 1, 2002. Artists in the catalogue include Foundation, Jennifer Adams, Alice Albert, Bill Davenport, Rafael Fuchs, David Greenstein, Katia Gushue, Michiko Itatani, Pamela Keech, Paul Laffoley, Lim Choong Sup, Kathryn Myers, Jill O'Bryan, Blake Stimson, Terry Ray Thompson, Rosa Valado, Rhonda Zwillinger, Xenobia Bailey, Tom Burckhardt, Susanna Coffey, Peter Dudek, Garth Evans, Christopher Giglio, Edward M. ... [details]
Critical theory anthology, edited by Michael Corris. Contributions by Francis Colpitt, Alex Alberro, Melanie Mariño, Ann Stephen, James Meyer, Alison M. Green, Ken Allan, Richard Williams, Robert Hobbs, Briony Fer, Edward A. ... [details]
Large-scale collection of essays edited by Alexander Alberro, Blake Stimson. Includes texts by Alberro, Stimson, Eduardo Costa, Raúl Escari, Roberto Jacoby, Christine Kozlov, Hélio Oiticica, Sol LeWitt, Sigmund Bode, Mel Bochner, Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni, Michel Claura, Michael Baldwin, Adrian Piper, Lucy R. ... [details]
Issue edited by Jack Bankowsky. Essays "Passages: Pepe Karmel on Kirk Varnedoe," by Pepe Karmel; "Nicolas Bourriaud on Pierre Restany," by Nicolas Bourriaud; "Tech: Brian Massumi on Rafael Lozano-Hemmer's 'Amodal Suspension," by Brian Massumi; "Books: David Rimanelli on John Waters and Bruce Hainley; "Film: Rhonda Lieberman on Nathaniel Kahn's 'My Architect,'" by Rhonda Lieberman; "News: Daniel B. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Blake Stimson and Thomas Struth on Bernd Becher," by Blake Stimson and Thomas Struth; "Passages: Maria Morris Hambourg on John Szarkowski," by Maria Morris Hambourg; "Books: Elizabeth Schambelam on 'The So-Called Utopia of the Centre Beaubourg," by Elizabeth Schambelan; "Film: Jason Simon on Chris Marker," by Jason Simon; "Media: Julia Bryan-Wilson on '9 Scripts from a Nation at War,'" by Julia Bryan-Wilson; "Sound: Bennett Simpson on David Grubbs and Susan Howe," by Bennett Simpson; "Architecture: Aaron Betsky on Steven Holl's Bloch Building," by Aaron Betsky; "Slant: Rosalind Krauss on 'Invisible Colors,'" by Rosalind Krauss; "Top Ten," by Rosalind Nashashibi; "The Art of Production: Introduction," by Scott Rothkopf; "Industrial Revolution: The History of Fabrication," by Michelle Kuo with production notes by Andrea Zittel and Roni Horn; "The Server/User Mode: The Art of Olafur Eliasson," by Caroline A. ... [details]
Issue edited by Tim Griffin. Essays "Editor's Letter: In Person," by Tim Griffin; "Books: Jeffrey Weiss on Mel Bochner's Collected Writings," by Jeffrey Weiss; "Books: Matthew Brannon on Lynn Spigel's 'TV by Design,'" by Matthew Brannon; "Film: Alexander Stille on Matteo Garrone's 'Gomorrah,'" by Alexander Stille; "Sound: Damon Krukowski on Brian Eno and Peter Chilver's 'Bloom,'" by Damon Krukowski; "Slant: Blake Stimson on 'Universal Archive,'" by Blake Stimson; "Top Ten," by Erika Vogt; "Out of Position: The Art of Martin Kippenberger," by George Baker; "A Hidden Reserve: Painting from 1958 to 1965," by Achim Hochdörfer; "1000 Words: Josh Smith," by Michelle Kuo; "High-Wire Act: Alexander Calder in Paris, 1926-1933," by Carroll Dunham; "Openings: Cyprien Gaillard," by Catherine Wood. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]