Summer 1978 issue of La Mamelle Magazine. Edited by Carl E. Loeffler and Mary Stofflet. Contents include: "Conversations on Video Cabaret, The Hummer Sisters and Assorted One Liners with Marien Lewis, A-Space Video Director, and Carl Loeffler, La Mamelle Inc;" "The New Artspace: The First National Conference of Alternative Visual Arts Organizations," report by Mary Stofflet; "Ken Friedman;" "Peter Plonsky: If traditional musics are differently perceived external amplifications of nervous system as melody and cirulatory [sp] as rhythm, then this internal physiological environment can be transcended through the spirit expressed as glissando, a logarithmic movement which is the law for unstable time perception," interview by Carl Loeffler; "Eldon Garnet," interviewed by Carl Loeffler; "Publications;" "Eros & Photography: Exploration of Sexual Imagery & Photographic Practice," by Meyer Hirsch; and "Notes. ... [details]
Spring 1977 issue of The Dumb Ox, a quarterly journal edited by James Hugunin and Theron Kelley. Contents include: "Untitled," by John Lanzone; "Acknowledgements;" "Introduction," by J. Hugunin; "A Talk with Ed Ruscha," interview by Gary Lloyd; "Pinocchio," by Claus Boehmler; "The Designated Blank Book," by Loren D. ... [details]
1983 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Videotex Services," by Gregory McKenna; "Interactive Videodisc: Interview with Sandra Devlin, Interview with Mitchell Kriegman, Visions of Interactivity," by Gregory McKenna,"; "Publications" reviews by Irwin Irwin; "Music, Electronics: Diamanda Galas on Music and Performing," by Carl Heyward;" "Anonomanifesto," by Irwin Irwin; "Present Tense/Rites of Passage," by Michael Nash; "San Francisco Performance Art," by Irwin Irwin; "Disappearing into the Culture as a Frequency: Bytes from a Conversation," by Lynnette Taylor; "Toward a Criticism of Television Art," by Carl Loeffler; "Video Art Out to Lunch: Jaime Davidovich Interviews Les Brown," edited by Yvonne Stahr; "Four-Sided Fable: Bay Area Producers Stake Out Their Corner of the Video Market," by Eric Knorr; "Music Television Emerges," by Robin Reidy; "On the Tube in the Apple," by Patrice Thomson. [details]
Winter / Spring 1982 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "The Avant-Garde; The Open Work of Art; and Performance," by Mark Levy; "Improvideo," by Gregory McKenna; "The Past," by Tom Marioni; "Performing Post-Perfromancist Performance, Part I," by Carl Loeffler; "Riders on the Storm, or The Chicago Connection," by Richard Irwin; "Performance;" "Video;" "The Days of Wine & Moda," by Carl Heyward; "Publications;" "Information;" "Correspondence Art;" "Banana Perspective," by Alice Dubiel. ... [details]
Publication edited by Carl E. Loeffler. Contributions by Ken Friedman, Guglielmo Achille Cavellini, Dirk Larsen, Tom Puckey, N. Maidan, Fernando de Filippi, Amerigo Marras, Douglas Davis interviewed by Peter Frank, Michael Gibbs, S. ... [details]
Chronological anthology of performance art in California from 1970 - 1979 in the style of Lucy Lippard's book "Six Years." Edited by Carl E. Loeffler and Darlene Tong with essays by Tom Marioni, Allan Kaprow, Linda Frye Burnham, Judith Barry, and Moira Roth. ... [details]
Chronological anthology of performance art in California from 1970 - 1988 in the style of Lucy Lippard's book "Six Years." Edited by Carl E. Loeffler and Darlene Tong with essays by Tom Marioni, Allan Kaprow, Linda Frye Burnham, Judith Barry, and Moira Roth. ... [details]